Cranky had to ask herself a hard question yesterday. I got a call for an audition and had to ask myself,” Do I really want to be in another show”?
Film you’re in and you’re out. Theater is a bigger time commitment. And I’ve shied away from theater because I was traumatized by the last psycho director I worked with at LaMaMa.
So the group asking me to audition sends me the script. I don’t like it. The character I was auditioning for has another character put his hand on her breast – TWICE. Yuck. And the ending was completely stupid I thought. This is where the English Major and the actress in my mind go to battle. Because you can be a SNOB or you can WORK. But you can’t be BOTH. Unless you are famous. And we all know I’m not famous, so I’m fucked.
So I forced myself to work on it. They were very professional. Love that. They sent me the whole play to read and the exact sides I would be reading. And an appointment time. THANK YOU.
And by working on it I realized the dialogue was really good. Maybe the play wasn’t so bad and my phobia was tricking me into not liking it because I’ve become gun shy about doing theater. My neuroses was making me hyper critical.
So when I got off the subway and I was walking through Hell’s Kitchen to the theater, I made a deal with myself. “See that restaurant over there?” I asked myself. “Well if you do a good job and get the part you can go out after the show there,” I told myself. Good, bad or mediocre, every show has the upside of going out after with friends. Cranky loves that.
Also, I told myself, “Just think of the bumper crop of new stories sure to pop up during the many days and days and hours and hours of a theater rehearsal process.”
So I was in a positive head when I went into the waiting area. I sat down to work some more on the script. I had given myself an extra fifteen minutes so I could sit quietly and get into character.
And as per usual another actress who was also auditioning came in and started talking really loud to some guy involved with the theater. “Oh wow! Hi! Great to see you!! I know this is gonna be a great project, but I’m not sure if I will have time because I’m really involved with SoHo Rep. They are such nice people there. But, I mean I want to stay out there. I really need to be out there acting. It would be cool to be involved here too, you know?” she said.
I refused to be an audience for these antics and I got up and went and sat on the other side of the room. Especially since the actress had her ass in my face. Was she sending me a message? When the guy left, she turned around and gave me the phony “I hate you” smile. “I hate you too,” my blank stare back said.
A child actor went in to read before me. His Dad tiptoed over and put his ear on the door so he could listen. This is some sad shit. If Dad keeps this up his kid has NO CHANCE. Oh, and the mother called on the cell phone to wish the kid LUCK before he went in. Nooooooo. Gag me. Leave the kid the hell alone. Grown up actors have to sometimes spend years working their way back to that openness, that sense of play. Except for the feral ones like Russell Crowe. And these parents are squashing it out of a ten-year-old.
Cranky opened her mouth and told the Dad, “You gotta let him go. Let him go…..” Dad chuckled and said, “ I get so nervous for him.” HOPELESS.
So I went in and read my two scenes and did a good job and everything. I overcame my theaterophobia inflicted by the insane Italian director. I allowed myself to be inspired. I utilized Cranky therapy. The promise of fun nights in restaurants AFTER the show did the trick.
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