Archive for the 'acting' Category



Keep Your Gizzard Neck, Thank You

KEEP YOUR GIZZARD NECK THANK YOU
Just got a really great email asking me to audition for a project. This is not a joke. I swear. This is real. Verbatim.
Get a load of this:

Dear Cranky:
My name is John-Paul Dunderhead. I am the director of the untitled television comedy pilot that is being produced through Fire on the Roof Productions My producer and I recently reviewed your submission for the role of Bubba’s Mother and would like to have you audition, if you are still interested. We are holding auditions in NYC on Friday, March 13th, from noon until 5 p.m.
Also, I am requesting that actors auditioning for the role of the mother give the role of the Boo’s Grandmother consideration. I believe that the character of the Grandmother to be more interesting and will fun to play. Also, the Grandmother has many more reoccurring scenes in other episodes we are writing. Because of the age gap between Boo’s Grandmother and Bubba’s Mother, I have found a talented make-up artist who will be willing to make the transformation. I am aware that you did not ask for this role, but please give it consideration and let me know whether or not you are interested.
Thank you for your consideration and we hope to hear from you soon.
John

This is wrong on so many levels. Who the hell are Bubba and Boo and how are they related to each other?
Thinking it’s a good idea to have an actress play someone born an eon before them, is ridiculous. Kate Winslet can pull it off for FIVE MINUTES at the end of a movie. A big Hollywood movie, with like ten-hour makeup sessions. But if she had to play the old lady in the movie from beginning to end, we’d want to shoot ourselves, and her. The whole time the audience would be totally distracted. They’d be asking themselves; “Why didn’t they get an old lady actress to play an old lady?”
John sounds like he belongs in the era of Mickey Rooney playing a Japanese man in “Breakfast at Tiffany’s” by having funny teeth and squinting his eyes. Or else John has done too many high school plays where high school seniors spray white in their hair and put on “Our Town.”

No John. What actress who has just started playing boring Mom’s wants to jump into playing the next generation? I’m sure you could find actresses between the ages of 100 and 110 willing to START transitioning into grandma roles.
And trying to convince us by telling us we will get more screen time wearing a chicken-like gizzard neck is not gonna help. Oh, NO THANK YOU.

Hatcheck To The Stars

I’m thinking about the time I spent working as a hatcheck girl. At a fancy place on the Upper East Side that was a celebrity hang out. With yet another coked out boss.

“CCCCCCranky CCCCCCranky CCCCCCranky” was how he addressed me. One night he was red-faced and sweating, and he said to me, “CCCCCCCranky CCCCCCcranky, you just let the richest man in America hang up his own coat!” Oh boy. This is what he was like when he wasn’t busy hitting on the model he picked out for the evening.

Working with the public was particularly hard on me, because Cranky is an introvert. At times I was standing in a crush of bodies. I don’t know how I stood it. Well, I know how. It was the bag of money I brought home every night.
Besides making good dough, I took advantage of the opportunity to eavesdrop and watch people. Some people were great. Some people were horrible. Some people made you sad.

Some were really amazing. Like the beautiful Asian girlfriend of the TV weatherman. One night when they came in I admired her earrings. The next time she came in, she handed me a box with the earrings in it. “I can’t believe you did that!” I said. “I just wanted you to have them,” she said. I wore those earrings every night and felt like a million bucks.
One night there was a pair of blondes sitting together. They were styled very similarly. Both had frosted hair, long nails, leather skirts, and lots of makeup. But even with all that, one of them was looking well, kinda dumpy. Dumpy was crying. She was telling her friend “I don’t understand why he left. What happened? It came out of nowhere. How could he do this? I was good to him!” Her sobby tirade went on for a good fifteen minutes. Finally, the other blonde broke in with a husky voice. She flicked her cigarette and said. “You wanna know what happened? I tell you what happened. You got fat and took advantage of the situation. That’s what happened.” Ouch.

Another night, a highly sophisticated looking woman came in when it was particularly nuts by the door. She looked at me and asked, “How can you stand this?” “ You get used to it,” was my answer. “No darling. No. You DON’T get used to it. PRINCESSES get used to it.” She was like indignant that anyone was living like this. I loved her. Maybe there was hope in life after all.

A prince came in. A rock star. All the tennis players. Great actresses. A famous actress slash acting teacher came in. I never saw her before in my life. She grabbed me with an iron claw and whispered in my ear in just a slightly threatening tone, “KISS ME DARLING.” I did. Then she smiled and dramatically flung off her mink coat. I was part of her entrance.
A famous actor/playwright who I had admired sauntered in in his cowboy boots one night. The two stewardesses who were a joke to the people who worked there, latched on to him. They were real man-eaters. They wore blue eye shadow. Their eyelashes had so much mascara they looked like doll eyelashes. They lived in leather bustiers. In the winter even. He went to the China club with them and partied. Ewwwww. Do you lose your taste in people if you live on some fucked up farm? Heard later that he got into a drunken fight with a cab driver and started waving a gun around. He really was believing his cowboy persona. EARTH TO ACTOR!! HELLO!!

My favorite encounter ,was the night I was watching a few men standing at the bar. They seemed like Bronx boys. They cupped their cigarettes. They stood like guys who were used to standing around a lot for long periods of time. I decided I had them pegged. I went up to them. I said, “Hey, are you guys cops?” “Hah hah hah,” they said, “No honey, we’re the opposite!”
They were hoods. The hoods used to come in too. Along with the DA and his crew. So the maitre d’ used to get in a sweat trying to give them both tables in the best section but not seat the gangsters and the district attorney’s office near each other.

Once, a reporter I was friendly with came in and said hello. He was carrying a newspaper that announced that one of the hoods had just gotten off in a case against him. The headline was “MOBBY WALKS” in giant black font. I glanced at it and said, “You think they’re trying to say he’s really guilty?” Reporter grabs the guy he is with and runs away. “What just happened?” I thought. The reporter came back and said I’d be lucky not to find a horse head in my bed that night. The guy with him was Mobby’s lawyer.

I took a cab home every night. One night I got a woman. Theresa. She was very chatty. She told me how she hated drunks because they breathe up your nose. Christmas was coming and she said, ” I spend so much time in the car, I decorate the dashboard. I put Santi and his reindeer right up there on the dashboard. I’m in the car twelve hours a day.” (Yes it was Santi, not Santa.) Then she started handing me pamphlets about all the different weight loss programs she was gonna try. “I gotta lose weight, honey. These look pretty good. One of them cleans out your system, it’s either that or the H-bomb.” Months later, I hailed a cab and Theresa was the driver “I remember you!” she said. “Look! Look! I lost the weight, sweetie! Can you believe it?”

One night a customer gave me a box of amazing dark chocolate truffles. I got in a cab to go home and the driver looked like an angry Rasta who wanted to blow up the world. He looked pissed. He would only grunt. I asked him, “Hey, you wanna chocolate?” as I pushed the box through the opening in the plexiglass divider. He looked stunned., “Yea,” he said as he took one. He broke into a beautiful big smile. He looked at me and said, “Wow. I can’t believe it. You broke my bubble. Nobody breaks my bubble!”

Why You Must Google YOURSELF.

There is a short film I worked on on youtube. It is in two parts. It’s been there since February ’02. It’s had 16,390 views. One of the people who is not among the 16,390 views is me. Because I had NO FUCKING IDEA IT WAS THERE.

This type of thing happens. A film you work on goes on youtube, or  goes to a festival. Or maybe a bunch of festivals. And nobody tells the actors.

This is why if you’re an actor you must google yourself. I know it’s dorky. Do it when you are alone. Put quotes around your name and add the word cast to speed things up. And I guarantee you will find out things you’ve been doing that you didn’t know you were doing.

I’m credited on some horrid video game and I have no idea how that happened.

An actor friend of mine had a full-length film released in Europe. There is a larger than life poster with his name in huge letters. There are like Russian words across the top. (Comrades! Don’t Tell Any of the Actors if You Meet Them!)  He had no clue it had gotten released anywhere.

Can you imagine? You spend days freezing in Central Park. Or stuffed into a little walk-up apartment with no air and no room, full of equipment for days on end.

Then you’re done and the director is like BU-BYE!! And uses the film to promote himself and doesn’t think like maybe the actors might be interested in what the film is doing. Or could use a prestigious festival name on their resume.

So if you are an actor. Do it. Right now. I guarantee you will have things to add to your resume. Something you worked on might have even won awards.

Googling yourself may not be attractive. But it is so necessary.

Callback Spooks Me Out

Had a callback today. It was for a voice over.

For the audition all I had to do was read sides into the computer. I have no idea how this works or anything. But who cares? I got to audition in my purple velour lounge outfit. In bed. Cranky likes that. Pretty much audition heaven. No people, no waiting, no traveling, no outfit, no makeup. If I could have been watching reality TV at the same time it would have been perfect.

So the mysterious recording on the internets got me a callback. It was at a postproduction house in Soho. Full of trendoids wearing funky glasses and talking about yoga class.

When I arrived there was a sign in sheet and a sign that said, “Please take a seat and wait.”

I sit. I wait. I feel like I’m waiting for an eternity. What makes it seem like an eternity is that there are two people at desks across from me, and about eleven people walk by, but not one of them will make eye contact with me.

It’s so weird. It’s as if they all had a meeting earlier in the day and decided together, “Look, actors are really needy. If you start in with them who knows what will happen. Let’s make a pact not to make eye contact with them when they come in later. Not even once!” And they don’t.

When another actress comes in and enters the void with me, she instinctively wants to break through it. She gets up and goes to one of the people at the desks and asks a question. Before she is through she gets the hand. “I know nothing about it!” the person says. Proving my theory that they indeed did have that meeting.

When the actress sits back down she starts biting her nails the poor thing.

No wonder actors are paranoid.

Why I Now Love Christian Bale More Than Life

I know I’ve been keeping everything anonymous and all. But I have to break my own rule, and say I could listen to Christian Bale’s freak out on the set that is on YouTube all day. It makes me quell. It’s on YouTube: https://www.youtube.com/watch?v=zuJCGGTPY5w

Go and listen to him yell at a DP who was “strolling in the background” while Bale was trying to do a scene. The DP said he was checking a light. No no no.

It brings me back to the audition I had where people were walking in and out of the room while I was reading a scene. And opening and closing the door no less. And whispering to the director. While the horse’s asses actors are trying to concentrate and act.

Listening to Bale makes me happy. And I fantasize that I said every word that came out of his mouth when I was at that audition. Instead of just feeling horrible and all and slinking out of there.

Some people got on Bale’s case. People who don’t understand and have no fucking respect for acting or idea what it takes.
Bale’s diatribe is not an actor having a tantrum. It’s an actor standing up for what is right.
I’m seeing him as the Spartacus of the acting world.

You go Christian!!! I so love you now.

Commercial Casting Method For Film Casting?

Had the weirdest day yesterday. Had to go to a freelance gig in the morning and then a film audition in the afternoon. Cranky had to get up at 7am. Cranky is used to sleeping ‘til 8. Oh oh.

Actually left on time. But there was a set back when the line at Starbucks in Penn Station was out the door and into the station. Of course, I stood on it anyway, because even though they serve coffee at the freelance place, Cranky cannot drink just any coffee. What they serve my Italian mother used to call “dishwater.”

So ran down 8th Avenue with a Venti Starbucks that kept splashing out of the lid and kept trying to pass the man in front of me who was walking in a serpentine pattern who had a cigarette hanging out of his mouth, while texting on his phone and walking at the same time. A poster boy for New York City. “Why do I have to share the sidewalk with this guy? Pick a lane Dude.” I thought.

Finally pass him and get there on time. Was delighted when I arrived to receive multiple compliments on my new haircut. Cranky mood improves considerably. This is big for me. You have to understand, that along with the search for happiness, stability, and the meaning of life, the life long quest for the perfect hairdo has been foremost on the life to do list. Something I thought I might never achieve. The curse of having two heads of Irish/Italian hair on one scalp. Way way too much hair that most haridressers are not equipped to deal with. Cranky has been to celebrity hairdressers even. Didn’t help. There have been times when people asked me what I’ve been doing lately and I’ve answered with, “Growing out my last bad haircut.”
When I go to lunch at a Greek diner with a friend and co-worker after freelance workshop, the minute we sit down, a platinum blond lesbian who is on her way out bends over and whispers in my ear in a deep husky voice, “I have to tell you, you’re a very attractive woman.” Then five minutes later, a lone man on his way out passes by our table and says, “ I’ve been staring at you. You have the most amazing eyes.” He is apparently gay also, which gives the compliment even more clout in my book. We are in Chelsea after all. Now I’m thinking of sending my hairdresser a bonus check. When we get the check I stand up and yell in a Brooklyn accent (for effect), “EXCUSE ME! BEFORE I LEAVE DOES ANYBODY ELSE WANNA GIVE ME A COMPLIMENT?” Only kidding. Only kidding. It was a fluke. And the universe sent it before I went to the audition so I wouldn’t like jump in the Hudson when it was over.

I have to walk to the meatpacking district in my high heel boots, which are not cobblestone friendly. I find the place, and it is a super trendy modern frenetic commercial casting house. Three irritated people are manning the front desk. They are throwing actors against a wall and snapping pictures, which are simultaneously spewing out of a printer. Everyone in the Meatpacking District thinks they are better than everyone else in Manhattan.

This place has a totally different vibe from the quiet serious film auditions I usually go to. They have written the sides on a board with magic marker. You have to use those and not hold the script. Huh?

The Polaroids and the board sides are what they do in commercial auditions when you have three idiotic lines.

I go in there, and they have me stand like a mannequin and read with another actress. They want us to cheat out and not face each other. Everything feels wrong wrong wrong. I’m used to a reader, a chair, and a script in my hand. I let it all throw me, and I pretty much suck.

To make matters worse, I have kinda learned the lines, and the actress I’m reading with said she hasn’t even had a chance to read it, so she improvises all over the place and I am trying to follow her and say lines from the script which in retrospect was stupid on my part. It was BAAAAD. But you get these results from a crap set up. It is the standard to audition actors separately with a reader so they are not depending on what the other auditioner is doing or not doing. I could not do my work. I couldn’t wait to get out of there. I hobble out into the cobblestone street and back to subway. When I reach home, I have to lie on the couch and watch “Wife Swap” reruns to recover.

Certainly a come down after the Greek diner, huh?

The Hatwoman Finale

I was thinking maybe I was too hard on the Hatwoman. Maybe she wasn’t so bad. Why did I have this reaction? I didn’t understand, until it was time to do the work.

In one scene we are on the phone together. We really didn’t have to work together at all since we were filmed in different locations. I suggested that we be on the phone for each other when we do our scenes, so we wouldn’t have to ACT like we were on the phone with another person and could be really listening to a human and not dead air.

When it comes time to film her part of the scene I am still in Florida. I am running around cleaning our friend’s house that we have been staying in before we leave for the airport. Cranky gets crazy when she has to make a plane.

My cell phone rings and it is the director from New York. They are ready to film Hatwoman’s part of the scene. I stop what I am doing and go sit on the patio. Hatwoman gets on the phone. We say hello. Then she says, “ Ah, um. I really haven’t had time to focus on these lines. If I forget or anything, would you read them to me?” “Ah, yeah,” I say.

So they yell “ACTION!” in New York and we begin. I have to read all her lines to her over the fucking phone. How do you go to a film set and NOT KNOW YOUR LINES? Huh?

The director says the sound is picking up me saying her lines before she says them. Not good. I hear a scared, “Oh,” from Hatwoman. And then silence. I tell her to just take a long pause before speaking, so they can edit me out saying her lines to her. So this is how we get through it.

When it comes time to do my half of the call she isn’t available, and I have the director out in my stairwell on his cell phone talking to me. Which was fine.

So her whole act bothered me because I knew she was all about being late and big sunglasses and putting on a big show as subterfuge for not knowing a thing about what she’s actually doing. The song and dance of the clueless. You are only allowed to act like this if you once did great work, won awards, and now are famous and are on drugs.

Film Magic In My Living Room

Remember the film I was cast in opposite the Hatwoman? Well, filming dates coincided with my vacation. The last day of filming being the day I’m flying back from Florida. Oy. So I quickly offered my apartment as a location. I was the only one in my scene so it didn’t matter. I’m on the phone in the scene. The director said OK. Which was awfully nice of him ‘cause he could have bagged my ass and gotten another actress.

So the day comes to go home. I travel most of the day. Sit on a packed plane with not enough air. Eat a mini bag of Fritos and a micro mini Kit Kat and a Diet Coke for dinner on the plane. There was a sandwich, but it scared me.
Take a cab home. Drop my bags. Call the director, who is parked a block away waiting for me. Run and wash my face, brush my teeth and let Visine work it’s magic. Changed into wardrobe. Did a turbo makeup job.

We started filming at ten p.m. and I’m afraid we will be at it all night. DP’s and lighting sometimes take forever. And since it is night, and they have to make it look like day, because the other half of the phone call was filmed in the afternoon.
But, I so lucked out. The DP has done massive amounts of big work on big films. So he walks in and says, “Sit there.” Then he sets up one big light that he bounces off a mirror and IT’S DAYLIGHT. Then he recruits my husband to hold a square of tin foil and periodically move it a certain way and now we have cars going by reflecting the daylight on my face. Ingenious.
I do the first take and it goes fine. So did the takes, so we got it done in an hour. And my husband did a great job manipulating tin foil square. Which I appreciate since we just got back from vacation where I am not at my best. The director, the DP and the sound guy were total dolls. Like so happy to be doing what they’re doing and all. This makes Cranky Actress happy. A little bit of film magic in my living room.

It’s funny how things in life work. One day you are rushing off a plane to shoot a scene and the next day you are waiting once more for the phone to ring.

The Princess and The Pea(Nut)

The last play I wrote that was produced in New York City was in a festival in Midtown. The festival people were great and the festival was run really well. My play was a short play, so I was paired up with another writer to make a complete program.
The other writer didn’t appear to know what she was doing, but she was determined to be the boss and run the show.
Getting the Equity paperwork out of her was nearly impossible, and we almost missed the deadline. It squeaked in, by me hand delivering it, smiling, begging, and paying a rush fee.

I put the program together and emailed her a copy. She never looked at the email, and found a typo in one of her cast’s names the day before opening AFTER it had been printed. Love that.

I let her chose which play would go first. She wanted first, natch. We teched separately. I attended her tech run through to see what we would be dealing with for a set change.

Her set had a rope tied to the sprinkler system on the 18-foot ceiling. A big heavy rope. They had to bring out a huge ladder and take it down between the plays. Not a swift transition. If she had chosen to go second it wouldn’t be a problem, but the princess had to go first. So I let it go, and figure we’ll deal. You don’t was a cumbersome drawn out set change between plays for the sake of the audience. For my play, we were using a few black cubes to keep it simple.
We find out the day before opening night ,that we need someone to help with the box office. When I ask her, before I finish my sentence she says, “OH I DON’T KNOW ANYBODY.” At least make believe you are trying to think of someone before speaking. It’s my fault. My OCD is showing and she can tell I’m gonna take care of it. You have to look like you don’t really care to get her to do anything. I didn’t do that.

On opening night when she is setting up for her play, a giant bag of Styrofoam peanuts appears. “What the fuck?” I think. The next second they are dumped on the stage. To signify an ice flow on a river. A MILLION FUCKING STYROFOAM PEANUTS! As they say in Brooklyn, “You gotta be shitting me.”

I went to tech. I saw the tech. THERE WAS NOT A PEANUT IN SIGHT. There was not a peanut even mentioned. This is why you have tech, so you can strike and set up EXACTLY the way you will be doing it for performance.

I say nothing to her. There is no point now. The peanuts are out of the bag.

Everything on the stage for her play is labeled with signs. The rope has a sign that says ROPE. A box has a sign that says DOCK. A play by a retard for retards. I can’t figure out what it is about. Someone eats and apple and commits suicide. Really heavy dude.

After her play is performed, her actors walk off stage and don’t do dick. My actors are stuck with the fucking peanuts. The director and I jump onstage and start sweeping, while her stage manager is doing a high wire act with the rope.
It was all so unnecessary. If this play had a fucking real snow machine from Hunter Mountain, it wouldn’t have helped. And why not use a white sheet instead of a five-foot bag of Styrofoam peanuts? Why not? Because the mind who dreamed up this fachada play would never think of anything logical/simple like that.

We have a reception after the plays. Guess who sets up for the party? Guess who takes care of the comps for both casts? Guess who looks like she is losing her mind?

She arrived for opening night carrying a bag of things for the party. Princess dumps it at my feet and says,” Would you bring this upstairs for me?” I said NO. Aren’t you proud of me? When the party was over, she asked me if I would bring her stuff home and then bring it back the next day so she won’t have to carry it. No again sister. She gets the “WHAT WERE THEY THINKING” award.

We get fined for the rope tied to the sprinkler. A safety violation. The director of the festival attended the play and charged out of the theater totally beet red faced with fury.

We got reviewed. The reviewer mentioned the ungainly set change. The reviewer also detested her play. THE REVIEWER LOVED MY PLAY. It was Karmic justice, don’tcha think? The title of the pairing was “Two With Troubles” the reviewer added: “Only one actually.” Her play was described as: “ A meager meal that was perplexing and difficult to follow. We don’t even get a try at the meaning of life.”

My play was described as: “A nice encapsulated character study between the two different worlds…clear and illuminating.. Succeeding as satisfying theater…”

Thank you. The suffering was worth it. Good blurbs from a review are everything to a writer.

Since then, I’ve only had plays I write produced out of town by other people. Ohio, Kentucky. All I have to do is put them in an envelope and lick the stamps. No princesses, no peanuts.

You Can’t Be Late If I’m Late

My post holiday blahs have now turned into FULL BLOWN SEASONAL AFFECTIVE DISORDER. Which makes making it to an early appointment on time a problem. On top of FBSAD, I had to get ready for an early appointment the other day on no sleep.
Couldn’t sleep because I had taken a horrid boot camp class where we had to go back to back with another person and loop elbows and go around the gym putting our butts on the floor and getting back up again. I was paired up with a muscle man who ended up dragging me around the gym by my elbows. Why why why don’t I just stick to Pilates and Yoga? The enlightened regimes. So,I think one shoulder might have been ripped out of socket or something.

When I woke up, late, I ran in circles trying to figure out what to do first. Because after finally falling asleep, I had overslept. I was living proof that what Napoleon once said to his manservant, “Dress me slowly, I’m in a hurry,” is absolutely true. But it is also absolutely against my high-strung spaz-out pre-audition self to follow it.

Should I wash my hair? I had planned to wash it, but now am squeezed for time. Must do the old silk groom and flat iron dirty hair trick. If ever get an award (like the first ever Black Box Awards) I will say in my speech, “I owe my career to the Chi Flat Iron.”

Had to hold two refrigerated jam jars over my eyes to get rid of the puffiness. (Don’t you love all the free beauty tips you are getting here?) Put the Visine in both eyes. Made note to but the atomic powered blue eye drops the makeup artists use. (Your welcome.)

The perfect sweater I just HAD to wear had a big hole in the sleeve. How did that happen? No time now to sew it. I have a million sweaters, but you have to wear what feels right for the day, so I wore it anyway, and pushed up the sleeves to cover up the hole. Clothes have a vibe, and you have to have to right vibe.

Took me a good ten minutes to get my new boots on. But HAD to wear those also.

Did a partial makeup job. Had to finish it on the subway. Hoped to have time to do it on the platform, as the fascinated stares of the other passengers as I put on mascara, and make the mascara face, make me cringe. I should put “applying mascara in a moving car” with the special skills my resume.

I somehow never got around to working with the script, so read it on the subway, after I put on the mascara. I am already off book when the train pulls into the station.

I AM ON TIME, with torn sweater and blobby mascara.

I enter the waiting area and find that they have double booked the time slots and are running way behind. “Really? Fuck off. I could be sewing my sweater right now!” I think. “I busted my ass to get here on time. I put mascara on in the subway!”
The reason it bothered me that they were running late, was because I was running late. After I skipped so many steps to get there on time, it irks.

In general I have a forty-five minute rule. I’ll wait forty-five minutes, and then I’m outta there. But, the holy sweater is working my nerves now that THEY are running late.

When they bring me in, I am, of course, ALL SMILES. Bravely rising above my FBSAD.


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