Archive for the 'Actress' Category



Excuse Me Mr. Director WHAT DID YOU SAY?

Had a first table read of the play I’m in the other night. Everybody was very nice. Not a psycho in the bunch. No one vying for all the attention or anything. It’s a theater company, so they have a lot of repeats, so the nuts probably don’t get asked back.

I kinda hate the first table read. Because even though I shouldn’t, I feel like I am meeting the other actors for the first time and they have never seen my work and they are judging how good an actor I am and there is not much I can do because I am still finding my way and I know I shouldn’t feel this way.
Anyway, the director has the aura of a former whiz kid or something. I know he got all A’s and probably skipped a grade and raised his hand a lot. And he was friends with all his teachers. And was in every club. You know BRIGHT. Talks fast. Thinks fast. That’s good. Smart is good.

So before we start he says, “I know everyone says don’t try to do anything on the first read, just read. But I don’t want that. Try to do something.” OH NO. So we all become laugh whores during the read and push for the laughs.
When we finish the play, he says he has a problem with two scenes. “I noticed people were yawning while you read those last two scenes.” He is talking about tightening up the writing of the scenes, but I know the actors who read the scenes can’t hear him now because the words “ YAWNING WHILE YOU READ, YAWNING WHILE YOU READ, YAWNING WHILE YOU READ, YAWNING WHILE YOU READ are now reverberating in their minds and they can’t hear anything else. Hence the uncomfortable phony panic smiles on their faces and the glazed expressions in their eyes. And their attempts to nod at the appropriate times to show they can actually hear him and know what he is talking about.

Eh, uh, I don’t think he should have mentioned the yawning thing. Actors are so hard on themselves and sensitive you gotta be careful what you say to us.

Directors need organization, talent, intelligence and sensitivity. I once worked with a film director who seemed to specialize in saying inappropriate things to actors. I was doing a scene in a kitchen where my character was desperate. We did a few takes and it went fine. Then the director said, “Just for the hell of it, take it really far. Go all out.” So we did the take and I was shaking and crying. When we finished the DP looked impressed and turned to the director and said, “What do you think? Should we print that one?” And the director turned to him and said, “No, no, that was way too over the top, no!” “Ah, HELLO I AM THREE FEET AWAY FROM YOU. I CAN HEAR YOU! I’M IN THE ROOM!” I thought. Thanks. Nice. I asked one of the crew about it. “How can he say this stuff? Does he think I’m an idiot?” “No,” they said, “he talks like that to all the actors.” Luckily for us, he ended up a film editor. In a dark studio. Where he doesn’t have to talk to anybody. Good thing.

Actors Get In Line

I woke up on Thursday morning to find this email in my inbox. It was sent at midnight on Wednesday:

“Hi Cranky,
I’m an undergraduate student shooting a short for my Columbia filmclass with Julie Wolfer. She recommended you to me personally. My project is about a reclusive former film star and her relationship with her guilt-ridden son. I’d love for you to be in it. Would you be interested and available this Friday? It’s such late notice but if so, I’d be happy to send you the script right away.
Thanks for considering this on short notice. Hope to be in touch soon.
Michelle

It is Thursday morning at nine am when I am reading this. My first instinct is to say no. I mean I am Cranky, and it is nine am.

I’m wondering why anyone would wait this late to cast something they are shooting TOMORROW. Maybe the actress dropped out? That happens. So I decide to be a good egg and all and answer immediately:
At 9:00 am on Thursday morning I write:

Hi Michelle,
Do you mean tomorrow? How long is the script?
I think I can do it. Send me the script, OK?
Cranky

So I wait for a reply. Nothing at 10. Nothing at 11. Nothing at 12. Nothing at 1.
I kinda need to know what I am doing tomorrow. And the window of opportunity for actually studying the script is closing, as I will be busy from three o’clock on today. So now I start obsessing about something I didn’t want to do in the first place.
I go to the computer at 1:45pm and write:

Hi Again,
Could you call me when you get this so I know if we are on for tomorrow?
Thanks so much,
Cranky

At 2pm I get a called from a wimpy girl saying, “Ah um, oh hi, ah, actually I found someone. But now I need to find a guy to play the son. So I might not be able to film tomorrow. If I don’t find someone to play the son today to shoot tomorrow are you available the day after tomorrow if I have to do that?”

There are so many todays and tomorrows I am thoroughly confused.

She emailed me at midnight saying how she would LOVE for me to do it. I answered her at 9am. So what does this mean? Are there actresses poised at their computers between midnight and 9am ready to reply to casting inquiries? The answer would be YES. How many actresses got the “I’d LOVE for you to be in it” email? Why would you love us? Because we are breathing?
The “role goes to the fastest” situations are too weird. The worst example of this was when I went to an EPA for a theater out in the Hamptons. The bus from the train station was full of actors going to the same place. When we disembarked from the bus, everyone realized that we were all going to sign in and audition in that order. So they started to run. It was an ACTOR STAMPEDE down the main street of Sag Harbor. I’m not kidding. What did that look like to the residents of the town? People dressed up in city clothes, guys in jackets and women in heels and character shoes full out stampeding down Main Street. It was sooooo embarrassing. My friend and I refused to run. She has since dropped out of acting. We had to wait like two and a half hours to go in because we didn’t join in the panic jog.

Actors feel like they are always waiting on lines and sometimes get so used to being ill treated that if you like offer them a glass of water and a place to sit at an audition it is very appreciated.

I used to get my headshots done at a place on 14th Street, which has since gone out of business. It was uncomfortable and not nice. And there was always a huge line that was right there as soon as you got off the elevator.
The guy who worked the counter had a drinking problem and somehow kept his job. Maybe they figured he was good enough to wait on actors. I don’t know. Anyway, he was an evil drunken southern queen.

One day I am waiting on a line to pick up headshots and the evil queen sees me. He yells out the most offensive thing he could possibly say to me and laughs. I just turned on my heels and left. I was done. He came out from behind the counter and chased me into the hallway and said, “Oh, I’m sorry. I’m so sorry! Come back. I didn’t mean that.”

So I went back in with him. I did need to pickup the headshots. What else was I gonna do? I turned to him and said, “LOOK, I GET MY BALLS BUSTED ALL OVER TOWN. I DON’T WANT MY BALLS BUSTED WHEN I’M PAYING FOR PICTURES!”

Another actor on line immediately turned to me and said, “Wow! You actually have any balls left?”

To Show Or Not To Show That Is The Question

Cranky had to ask herself a hard question yesterday. I got a call for an audition and had to ask myself,” Do I really want to be in another show”?

Film – you’re in and you’re out. Theater is a bigger time commitment. And I’ve shied away from theater because I was traumatized by the last psycho director I worked with at LaMaMa.

So this group asking me to audition sends me the script. I don’t like it. The character I was auditioning for has another character put his hand on her breast – TWICE. Yuck. And the ending was completely stupid. This is where the English Major and the actress in my mind go to battle. Because you can be a SNOB or you can WORK. But you can’t be BOTH. Unless you are famous. And we all know I’m not famous, so I’m f____d.

So I force myself to work on it. They were very professional. Love that. They sent me the whole play to read and the exact sides I would be reading. And an appointment time. THANK YOU.

And by working on it, I realized the dialogue was actually really good. Maybe the play wasn’t so bad, and my phobia was tricking me into not liking it because I’m gun shy about doing theater. My neuroses was making me hyper-critical.
So when I got off the subway and I was walking through Hell’s Kitchen to the theater, I made a deal with myself. “See that restaurant over there? Well if you do a good job and get the part you can go there after the show,” I told myself. Good, bad or mediocre, every show has the upside of going out after with friends after. Cranky loves that.
Also, I told myself, “Just think of the bumper crop of new stories sure to pop up during the many days and days and hours and hours of a theater rehearsal process.”

So I was in a positive head when I went into the waiting area. I sat down to work some more on the script. I had given myself an extra fifteen minutes so I could sit quietly and get into character.

And as per usual another actress who was also auditioning came in and started talking REALLY LOUD to some guy involved with the theater. “Oh wow! Hi! Great to see you!! I know this is gonna be a great project, but I’m not sure if I will have time because I’m really involved with SOHO REP. They are such nice people there. But, I mean, I want to stay OUT THERE. I really need to be out there acting. It would be cool to be involved here too, you know?” she said/yelled.

I refused to be an audience for these antics. I got up and went and sat on the other side of the room. Especially since the actress was standing so that she had her ass in my face. Was she sending me a message? When the guy left, she turned around and gave me the phony “I hate you” smile. “I hate you too,” my blank stare back said.

A child actor went in to read before me. His Dad tiptoed over and put his ear on the door so he could listen. If Dad keeps this up his kid has NO CHANCE. Oh, and the mother called on the cell phone to wish the kid GOOD LUCK before he went in. Nooooooo. Gag me. Leave the kid alone.

Cranky opened her mouth and told the Dad, “You gotta let him go. Let him go…..” Dad chuckled and said, “ I get so nervous for him.” Yes, and pass your nervousness on to him and he will surely succeed.

I went in and read my two scenes and did a good job and everything. I overcame my theaterphobia inflicted by the insane Italian director. I allowed myself to be inspired. I utilized Cranky therapy. The promise of fun nights in restaurants AFTER the show did the trick.

How Long Is This Audition?

Got another classic email invitation for an audition yesterday
He wrote:

Hi there,
Here are the details for your audition from 3.30-5pm tomorrow. Please excuse the round robin.
I’ve mentioned that I want people to prepare a short [around a minute] ideally comic piece, I don’t mind what it is – but is should be a piece you enjoy doing! And not too long!
If you could also bring a copy of your headshot and resume that would be great [and a yoga mat if you have one to hand, the floor is stone so we may use them to save our knees].
I am so excited by the quality of the submissions and the sessions should be really fun, banish any nervousness and just come play!
Any questions please shoot me an email otherwise I’ll see you tomorrow.
Chad

I have no idea what he means by “round robin”. The only “round robin” I know about is the one on Tuesday nights at my gym when I go to play squash with a bunch of other people and we switch around. Round Robin? And my appointment is from 3:30pm UNTIL 5pm? Huh? And I am expected to spend an hour and a half at an initial audition? Wrong. At union calls, if you are kept over a certain amount of time they have to PAY YOU. He refers to a piece I enjoy doing? Oh, oh, oh, OK. Great idea. Oh wow. I was gonna do one that I HATE. This will really be something different. Thanks for that brilliant idea. But even if I am “enjoying” it, he makes sure its NOT TOO LONG, saving himself from the extra 60 seconds of boredom in case it totally sucks. Also, he too many exclamation points always seem like the product of a warped mind to me. I find them scary.
Bring a yoga mat for our knees? To save us from the stone floor? What are we going to be doing? Begging for the role? And I love that this bomb is in parentheses. You’ll be kneeling on the floor- but don’t think about that! What is he talking about? Don’t you think a little explanation is in order? What if I went wearing the plaid straight skirt that I have to hold my breath in and we’re expected to jump around or something? Or sit down? “Banish any nervousness?” I wasn’t nervous until I read this email.

Once again this proves the fact that any idiot can “put on a show.” And the sucky reality that people think actors will do anything for a chance at a role. Believe me, I know working is important. But I also think it’s important to have LIMITS. If I went I would not be happy with myself. I would feel like a moron. And I don’t think I would click artistically with this type of person. You know, a stupid one.

The email showed the names of all the actors he was inviting to this round robin of on your knees on the stone floor waste half a day audition. So I hit reply all and sent the below email to him and all the actors on the list:

Hi Chad,
Thanks for inviting me and all.
Sorry to say I won’t be there.
The Midtown Festival is great. I had a play in it ,and it was all very well run.
I’m not morally comfortable with asking actors to invest an hour and a half for an initial audition. So even though it sounds like an awesome project – I must do what I think is right.
Cranky

Once again, I feel like the Norma Rae of the acting world. I can just see the rally – CRANKY ACTRESSES UNITE –everyone in their high-heel boots and tons of Mac mascara and everything.

Cranky Actress Hates This Week

I think maybe this week there is someone with a doll that looks like me and they are sticking pins in it or something. Really, I’m not emotionally equipped for life sometimes.

It started with an audition yesterday where the director and the casting director stood me up. I got dressed, put make-up on, got on the subway and went to the appointed time and place and nothing, nobody. WTF? The room was empty with chairs piled against the wall. I waited 20 minutes and got back on the train and went home. Sent a what’s up email and got the following response the next day:

Cranky,
I’m terribly sorry. There was a missunderstanding with the times and place. We were indeed holding auditions at that time but in a different building.
It was our fault and I apologize.
Stu

Ah, yea – misunderstanding was MISSpelt And, ah, your misunderstanding with “the times” – would that be the newspaper? Stu goes to one of the most expensive, most prestigious film school’s in the U.S.
The bad thing about these people is that I have to deal with them. The good thing is, they make me feel like a fucking genius.

Then, we’re trying to get everything together for taxes and my marriage becomes a game of: WHOSE FAULT IS IT? There is nothing like going back over all the stupid things you spent money on the past year to make you totally depressed. I have to go into the computer and assign categories to everything. It’s making me feel guilty. My emotional state is making me make mistakes. A few times when I’m supposed to write in dining I actually wrote SIN. I’m not kidding. I wrote SIN as a category. Which was exactly how I felt.

Then the kitchen sink water started backing up into the bathtub and my husband didn’t like taking a shower amongst the floating lettuce.

I wanted to avoid dealing with the sink. I mean, you gotta understand. I call our apartment building “1800’s House.” We have about the same amenities here as they had in 1800. The decor of the lobby in our building can only be described as “Early Mental Hospital.” And we have the obligatory Yugoslavian super who sleeps late and doesn’t want to be bothered. I’ve been thinking of writing a book about him. I’m gonna call it: “The Super Wore Sandals.”
Anyone shuffling around in sandals with a cigarette hanging out of his mouth is not up for any heavy labor.

So due to my husband’s complaining about the lettuce in the shower situation, I got brave and talked to Mr. Sandals about it. I asked him if he had one of those snake things and I make a twirling gesture to be sure I’m being understood. He says, “NO, NO. I BE BRING CHEMICAL.”

So he goes to the basement and comes back with this scary looking bottle of brown stuff. I think the label said PIPE BOMB and it had a lot of Xs and poison warnings on it. He puts PIPE BOMB down the drain. Two minutes later my doorbell rings. The marginally catatonic guy who lives downstairs strolls right into my apartment when I open the door and mumbles with his head hanging down, “I guess you know about the leak downstairs.” “WHAT! WHAT LEAK? LEAK?” I say.

“Ah, there’s water pouring out through my light fixture in the bathroom,” he mumbles. “OH MY GOD!! OH MY GOD!” I run screaming into the bathroom to tell the super.

Skip to the end, I spent the day with a jackhammer tearing up my bathroom floor. THIS IS WHY I WANTED TO AVOID THE REPAIR. In 1800’s House every repair leads to new damage.

When the floor has been completely dug up I see the pipes. They are definitely from another century. There was more gunk inside than there was pipe. The drain pipe had a million little holes along the bottom where PIPE BOMB had done its job. It looked like an archeological excavation. Then the dust started spreading. And spreading.

Since Cranky likes to stay home as much as possible, Cranky takes great care of the house. Seriously. Anybody from “Elle Décor” wants to drop by and take some pictures, my apartment is camera ready.

So I started whining to Mr. Sandals and he looks at me and says, “NO, NO. CRANKY YOU BE GET NEW FLOOR!” This is true. I have wanted a new bathroom floor for like 10 years. But in 1800’s House you don’t get any extras. Mr. Sandals so understands me. He knew exactly how to cheer me up, and make me see the bright side of the massive hole in my bathroom floor. So I forgive him for be bringing chemical.

My Acting Career Has Hit a New Low

Got a really choice email yesterday. Things better pick up soon. That’s all I can say. Thus is the sad state of affairs in my acting work. This is a new low, even for Cranky.

Dear Cranky:
My name is Gino Insultinga, and I am the writer/director of the project “Stewey Stoney.”

The reason I’m e-mailing is because I’m following up on your request to audition for the role of “Honey.” I wasn’t sure you were exactly right for the role of Honey, However, I thought you had a great look and were right for another character.
It is a picture that essentially drives the main character’s story forward.

I would love for you to consider coming in to a photo-shoot, and posing for a photograph for our film. The main character is being played by the actor Tom McManus, who has appeared recently opposite Phillip Seymour Hoffman.

Also he would be featured in the photograph with you.

Our director of photography who will be shooting the picture is named Bobby Burra. Please feel free to view his reel at: ________________
Thank you ,
Gino

So I am playing, no HANGING, opposite an actor who recently played opposite someone famous. How does this help me? Can I put “played a picture hanging in a room with an actor who once played opposite Philip Seymour Hoffman” on my resume? Is this the first step on the staircase to fame? It seems a bit more than six degrees of separation. What is the degree of separation between living people and inanimate objects on the success scale? Isi is possible that when people see the film, they are all gonna say, “Wow, that was a great film. But the actress who played the picture, SHE WAS REALLY GREAT!” Is there a chance I will get discovered playing an inanimate object?

And telling me about the DP? Why would I care? He is the director of MOVING PHOTOGRAPHY. And not only would I not be SPEAKING in the film, I ah, won’t be MOVING either. This is beyond the old axiom that there are no small roles, only small actors. That is something some director made up to get an actor to accept some demoralizing one liner. Or a role as a photograph.

What a Poor Actress Must Endure To Get Her Hair Cut

As an actress, I have to keep groomed. I have the curse of Irish/Italian hair, so I really have to have it trimmed every six weeks to keep it from looking too bush-woman. So I am always looking for a bargain. But I want a REALLY GOOD HAIRCUT. No Super Cuts, thanks.
The best bargain, is when you can get hooked up with a hairdresser who will cut your hair at their house on their days off. Like a guy from one of the Madison Avenue salons.
It’s great. But is very no frills. You’re in some guy’s kitchen. It’s his day off. It feels personal, but you just wanna get your hair cut and get out of there.
The first time I did this, I went to a guy’s apartment and he was having a huge gay boy party at the same time I was having my haircut. The wine was flowing. My do came out kinda asymmetrical and I still don’t know if it was on purpose. That was the first and last time for him.
Then sometimes you are alone with them and there in no blasting music like in the salon and all the other people, and you have to make conversation. I can talk my head off, but when I feel I have to, I hate it. Once you get past vacations and movies the going gets tough.
Except with the last guy I went to see. I think he had a substance abuse problem. He was very SPEEDY. His hands shook He washed my hair in the kitchen sink with the dirty dishes. There was stuff everywhere. He was a riot. I never had to say anything though, because he talked non-stopped.

He loved to talk about his clients at his salon and then he would segue into what was wrong with his partner.
Here is a sample of his conversation:
“These women have no shame. You do their hair, they tell you everything. I’ve seen some sights, honey. There was Rhonda Ackerman. Ewwwww…… ANOREXIC! She used to go to the gym from six am to ten am every day. I swear on my mother. Every fucking day honey. And all she ate was oats. OATS, that’s it. Nothing else. She was like this (holds up his pinkie finger). I used to see her at the gym on this horrible climbing machine. Climbing, climbing. The sweat poring offa her. Just oats and nothing else. It was a sickness. Of course she’s blown up now.
Oh, oh, oh, last week I had a woman in my chair who said; “Oy, honey, I’m not feeling so great. I just had my period.” She must’ve been 80, I swear. My other client took one look at her and said, “ Period? She wishes! Humpph! Who is she kidding?” “Can you believe that?

“You know what I hate? I hate when the fat ones come in and they plop themselves in the chair and they send out a PUFF OF ASS SMELL.”

“Honey, no one should have a SMELLY ASS. Including MY BOYFRIEND. He takes a shower every four days. I told him; “if you’re so depressed why don’t you get a gun and shoot yourself?”

“I’m not letting him drag me down. Oh no honey. Let him be depressed all he wants. Staring at the computer all day. At the computer! What is he a mongoloid or something? There’s something wrong with him, I swear.”

“No sex in a year? Whattya kidding? I get mine, believe me. But I’m not going anywhere. Oh no. I like the apartment. I love the neighborhood. No way I’m going back to Jersey City, sweetheart. Oh no, I like this neighborhood. It’s beautiful. I sleep in my nice comfortable futon in the living room. “

“Who’d wanna get in bed with him anyway? It’s full of crumbs. He eats in bed, that fat thing. It’s disgusting. My mother would never have allowed that. I make him dinner and that’s that.”

“All he does is sit in that room and stare at computer screens. He has a few of them going at once. And he watches “Chicago” over and over again. How many times can you watch a movie? Huh? Huh? How many times? There’s something wrong with him. He’s some kind of genius weirdo or something. He was so cute when I met him. Here, look, look at the picture. Handsome, right? And look how skinny he was.”

“Hah, I was talking about my clients. Oh my god! How did I get on this? How, will you tell me? Huh? Ok, clients. CLIENTS… Well, one thing I can tell you, they’re all happy when their husbands die. Oh yes they are sweetie. All of them. Even my own mother. My mother didn’t cry. Oh no! She hated my father. Yes she did! The only time they want a man is if they don’t have any money. They have money; they’re thrilled the husband’s gone. THRILLED. My father hated everyone. He only liked animals. Oh, the way he was with animals! People, forget it. I told myself when I was young if I ever ended up like that shoot me.
“Do you have a gun? Hahahahaha!!” He bends over laughing.

I am creative, but I couldn’t make this shit up.

Whenever I left him, I always felt paranoid because I wondered what he told everyone about me.

Hatcheck To The Stars

I’m thinking about the time I spent working as a hatcheck girl. At a fancy place on the Upper East Side that was a celebrity hang out. With yet another coked out boss.

“CCCCCCranky CCCCCCranky CCCCCCranky” was how he addressed me. One night he was red-faced and sweating, and he said to me, “CCCCCCCranky CCCCCCcranky, you just let the richest man in America hang up his own coat!” Oh boy. This is what he was like when he wasn’t busy hitting on the model he picked out for the evening.

Working with the public was particularly hard on me, because Cranky is an introvert. At times I was standing in a crush of bodies. I don’t know how I stood it. Well, I know how. It was the bag of money I brought home every night.
Besides making good dough, I took advantage of the opportunity to eavesdrop and watch people. Some people were great. Some people were horrible. Some people made you sad.

Some were really amazing. Like the beautiful Asian girlfriend of the TV weatherman. One night when they came in I admired her earrings. The next time she came in, she handed me a box with the earrings in it. “I can’t believe you did that!” I said. “I just wanted you to have them,” she said. I wore those earrings every night and felt like a million bucks.
One night there was a pair of blondes sitting together. They were styled very similarly. Both had frosted hair, long nails, leather skirts, and lots of makeup. But even with all that, one of them was looking well, kinda dumpy. Dumpy was crying. She was telling her friend “I don’t understand why he left. What happened? It came out of nowhere. How could he do this? I was good to him!” Her sobby tirade went on for a good fifteen minutes. Finally, the other blonde broke in with a husky voice. She flicked her cigarette and said. “You wanna know what happened? I tell you what happened. You got fat and took advantage of the situation. That’s what happened.” Ouch.

Another night, a highly sophisticated looking woman came in when it was particularly nuts by the door. She looked at me and asked, “How can you stand this?” “ You get used to it,” was my answer. “No darling. No. You DON’T get used to it. PRINCESSES get used to it.” She was like indignant that anyone was living like this. I loved her. Maybe there was hope in life after all.

A prince came in. A rock star. All the tennis players. Great actresses. A famous actress slash acting teacher came in. I never saw her before in my life. She grabbed me with an iron claw and whispered in my ear in just a slightly threatening tone, “KISS ME DARLING.” I did. Then she smiled and dramatically flung off her mink coat. I was part of her entrance.
A famous actor/playwright who I had admired sauntered in in his cowboy boots one night. The two stewardesses who were a joke to the people who worked there, latched on to him. They were real man-eaters. They wore blue eye shadow. Their eyelashes had so much mascara they looked like doll eyelashes. They lived in leather bustiers. In the winter even. He went to the China club with them and partied. Ewwwww. Do you lose your taste in people if you live on some fucked up farm? Heard later that he got into a drunken fight with a cab driver and started waving a gun around. He really was believing his cowboy persona. EARTH TO ACTOR!! HELLO!!

My favorite encounter ,was the night I was watching a few men standing at the bar. They seemed like Bronx boys. They cupped their cigarettes. They stood like guys who were used to standing around a lot for long periods of time. I decided I had them pegged. I went up to them. I said, “Hey, are you guys cops?” “Hah hah hah,” they said, “No honey, we’re the opposite!”
They were hoods. The hoods used to come in too. Along with the DA and his crew. So the maitre d’ used to get in a sweat trying to give them both tables in the best section but not seat the gangsters and the district attorney’s office near each other.

Once, a reporter I was friendly with came in and said hello. He was carrying a newspaper that announced that one of the hoods had just gotten off in a case against him. The headline was “MOBBY WALKS” in giant black font. I glanced at it and said, “You think they’re trying to say he’s really guilty?” Reporter grabs the guy he is with and runs away. “What just happened?” I thought. The reporter came back and said I’d be lucky not to find a horse head in my bed that night. The guy with him was Mobby’s lawyer.

I took a cab home every night. One night I got a woman. Theresa. She was very chatty. She told me how she hated drunks because they breathe up your nose. Christmas was coming and she said, ” I spend so much time in the car, I decorate the dashboard. I put Santi and his reindeer right up there on the dashboard. I’m in the car twelve hours a day.” (Yes it was Santi, not Santa.) Then she started handing me pamphlets about all the different weight loss programs she was gonna try. “I gotta lose weight, honey. These look pretty good. One of them cleans out your system, it’s either that or the H-bomb.” Months later, I hailed a cab and Theresa was the driver “I remember you!” she said. “Look! Look! I lost the weight, sweetie! Can you believe it?”

One night a customer gave me a box of amazing dark chocolate truffles. I got in a cab to go home and the driver looked like an angry Rasta who wanted to blow up the world. He looked pissed. He would only grunt. I asked him, “Hey, you wanna chocolate?” as I pushed the box through the opening in the plexiglass divider. He looked stunned., “Yea,” he said as he took one. He broke into a beautiful big smile. He looked at me and said, “Wow. I can’t believe it. You broke my bubble. Nobody breaks my bubble!”

Why You Must Google YOURSELF.

There is a short film I worked on on youtube. It is in two parts. It’s been there since February ’02. It’s had 16,390 views. One of the people who is not among the 16,390 views is me. Because I had NO FUCKING IDEA IT WAS THERE.

This type of thing happens. A film you work on goes on youtube, or  goes to a festival. Or maybe a bunch of festivals. And nobody tells the actors.

This is why if you’re an actor you must google yourself. I know it’s dorky. Do it when you are alone. Put quotes around your name and add the word cast to speed things up. And I guarantee you will find out things you’ve been doing that you didn’t know you were doing.

I’m credited on some horrid video game and I have no idea how that happened.

An actor friend of mine had a full-length film released in Europe. There is a larger than life poster with his name in huge letters. There are like Russian words across the top. (Comrades! Don’t Tell Any of the Actors if You Meet Them!)  He had no clue it had gotten released anywhere.

Can you imagine? You spend days freezing in Central Park. Or stuffed into a little walk-up apartment with no air and no room, full of equipment for days on end.

Then you’re done and the director is like BU-BYE!! And uses the film to promote himself and doesn’t think like maybe the actors might be interested in what the film is doing. Or could use a prestigious festival name on their resume.

So if you are an actor. Do it. Right now. I guarantee you will have things to add to your resume. Something you worked on might have even won awards.

Googling yourself may not be attractive. But it is so necessary.

The Hatwoman Finale

I was thinking maybe I was too hard on the Hatwoman. Maybe she wasn’t so bad. Why did I have this reaction? I didn’t understand, until it was time to do the work.

In one scene we are on the phone together. We really didn’t have to work together at all since we were filmed in different locations. I suggested that we be on the phone for each other when we do our scenes, so we wouldn’t have to ACT like we were on the phone with another person and could be really listening to a human and not dead air.

When it comes time to film her part of the scene I am still in Florida. I am running around cleaning our friend’s house that we have been staying in before we leave for the airport. Cranky gets crazy when she has to make a plane.

My cell phone rings and it is the director from New York. They are ready to film Hatwoman’s part of the scene. I stop what I am doing and go sit on the patio. Hatwoman gets on the phone. We say hello. Then she says, “ Ah, um. I really haven’t had time to focus on these lines. If I forget or anything, would you read them to me?” “Ah, yeah,” I say.

So they yell “ACTION!” in New York and we begin. I have to read all her lines to her over the fucking phone. How do you go to a film set and NOT KNOW YOUR LINES? Huh?

The director says the sound is picking up me saying her lines before she says them. Not good. I hear a scared, “Oh,” from Hatwoman. And then silence. I tell her to just take a long pause before speaking, so they can edit me out saying her lines to her. So this is how we get through it.

When it comes time to do my half of the call she isn’t available, and I have the director out in my stairwell on his cell phone talking to me. Which was fine.

So her whole act bothered me because I knew she was all about being late and big sunglasses and putting on a big show as subterfuge for not knowing a thing about what she’s actually doing. The song and dance of the clueless. You are only allowed to act like this if you once did great work, won awards, and now are famous and are on drugs.


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