Archive for the 'show business' Category



I’m the Last To Face It-The Holidays Are Really Over

Got a call yesterday for an audition. Yesterday was New Year’s. Have been making cookies, eating cookies and avoiding the artic vortex.

The message says: “Must do a monologue plus sides.” That seems excessive. Can’t they just choose one? My mind was like, “You want me to do what? You want me to go where?”

I’m in the final stage of holiday mode. As an introvert, I need a gradual transition from inside mode to world mode.

There are three stages of holiday head:
Anticipation of holidays. There are days before the official holidays when nothing is happening audition wise, so holiday head has expanded. Sort of extra parenthetical holiday days surrounding the actual holiday days. So the actor’s holiday is a little longer. It’s a nice break. No pressure. No making impressions. No lines to learn. No outfit to pick out.

The second stage is questioning. These are the actual days off, which in the beginning seem so quiet, you ask yourself why you looked forward to this. How many dishes can we dirty in a day? How much chocolate can we eat? Will my husband ever stop asking what are we going to eat for the next meal?
The third stage is acceptance. You settle into a routine something like this:
Wake up. Put on velour lounge outfit. Eat muesli and watch “Morning Joe”. Check email, check Facebook. Play Pathwords. Spend fifteen minutes watching a video of puppies falling asleep on Youtube. Sit on sofa with Grandma’s afghan across lap and read. Surprise! It’s lunchtime already!
The third stage:
After this has gone one for a little while, I don’t want to get out of my velour lounge outfit. I don’t want to put on makeup. I want to just sit on the couch and write. Like I’m doing right now. But if I never leave the house, I will have nothing to write ABOUT. This is a problem.

In the words of a dear friend, “Honey, let’s face it. If we could figure out a way to sit home and get food delivered and watch TV and get paid for it, we’d never leave the fucking house.”

I’m so lucky to have a friend who understands. Don’tcha think?

So I have to go back out into the world now. I have to pick a comedic monologue and an outfit. I have to change my morning routine so it won’t take me four hours to get out of the house. (No more puppies?)

Maybe I’ll start my reintroduction into the world with a trip to Trader Joes- the happy place.

The Money Gig

Actors do weird jobs. Temp work to pay the bills while they work on their art. I know a Tony-winning actress who still, when she is not working, does telephone soliciting. She created roles for Edward Albee. And she still does the money gig.

Most of these money gigs suck. Here is a sampling of various jobs I’ve had:

Cocktail waitress on Wall Street.

Did the 4 to 8 shift. Monday through Friday. Had to wear a truly horrible short red dress trimmed with black lace. Said I was cold all the time, and wore a green corduroy blazer over it. Towards the end, resorted to wearing fake horn rim glasses because I didn’t want to be hit on anymore. One night when I was wearing the Point Dexter glasses a drunk guy looked at me close and said, “I bet under those glasses you are real pretty.” I was thrilled.

Best part of the job was working with Cathy from the Bronx who looked like a cupie doll and whose husband was in prison for pleading the fifth. She had a thick Bronx accent. To make things bearable, we drank booze out of coffee cups on Friday nights. When Cathy started saying, “NOT FOR NOTHIN’” every five seconds, you knew she was drunk. One night we smoked pot in the ladies room and Cathy kept pointing at me saying, “YOU’RE LIT!” I loved her. She went through a big guilt thing when she met a friend of her incarcerated husband at a motel on day to fool around. But she got philosophical about it and decided, “Oh fuck it.” As a little escapee from Westchester, I loved this crap. Her daughter was named after her favorite perfume, Replique. I still have a bottle of it on my dressing table even though they don’t make it anymore.

I used to do crossword puzzles on my cocktail tray to keep from being bored. Had to leave when the management wanted us to wear giant strawberry pins on our uniforms to push the dessert and the men found them sexually symbolic in nature. I refused to wear it and was fired. Bye Bye Cathy. X

Bookkeeper for a Brazilian store.

Found out Brazil runs on nepotism. Every time there was a new president of Brazil, everyone lost their jobs and new “friends” were hired. My boss was someone important’s girlfriend and a total ditz. But fun. My OCD caused me to do all the work on a pittance salary while she shopped Fifth Avenue all day. Store went out of business because mass amounts of broken furniture was shipped from Brazil and no one noticed until it got to a customer’s house and they sat in a chair and they landed on their butts on the floor.

Bartender at a trendy Italian place in the village.

The place was loaded with celebrities every night. The owner a wild man from Northern Italy. Earring in one ear. Talked very fast. Often emerged from the bathroom with white powder on his nose. I was the only woman working there. Oh oh. When the owner in a crazed state came behind the bar and touched me, I walked out in the middle of the dinner rush. The mayor of New York City was there that night. Should I have complained to him? The owner phoned me to come back. “Pleasa, I was just trying to pass by you,” he said. Dai basta dude.

Assistant for a talent negotiator.

He used to sit at his desk and snort coke all day and then he started getting weird and saying I was making him paranoid and that I was looking at him with disgust. He had a poodle named Mitzi who used to hunt for the coke when he left her alone. You could always tell if she’d found it, she’d be like shivering and yipping around the office. Yip! Yip! When he wasn’t being paranoid he was trying to get me to go out with him. Which I’m sorry, was never going to happen because he wore white shoes and a big gold chain on his hairy chest with the gray hairs that you could see every day because he never buttoned his goddamned shirt. I used to just laugh when he asked me out, but one day I’d had it, and I told him I was never, never, ever going to go out with him. He fired me the next day.

Assistant in a real estate office.

I was copying listings out of the newspaper on to index cards. My boss kept complaining that my ones looked like sevens and sevens like ones. She wanted me to write the European seven with the little line through it, but I could never remember. Every time I forgot she would get up from her desk with the index card walk over to my desk and say; “ I can’t read this. What does it say?” And I’d go; “Um, ah…seven, no, one, no, no it’s definitely a seven. And then I’d have to write the stupid card all over again. The boss was absurdly cranky. But I felt sorry for her when she confided in me that she had low blood sugar problems.

Assistant for another real estate firm.

Part of the job consisted of droving around the city in a painted bus advertising the firm. The other peon, an actor, looked at me and said; “Isn’t this the best job?” And I thought, “I’m shoving fucking balloons through the window of an RV on Fifth Avenue which is blasting that Macarena music for blocks and blowing bubbles from the roof – NO! IT’S NOT! Couldn’t deal. Never returned.

Paralegal for a law firm.

I had to get dressed up everyday. So, between buying a wardrobe and dry cleaning, I don’t think I made very much. But was nice to be able to use my brain because I actually do have one. One of the partners found out I was an actress and that I was doing a Shakespeare play at night. He would occasionally ask me into his office and read me these Shakespearean style poems he had written. It was nice. He was like ancient. His office had sixties décor.   He had an orange shag rug. He had had his own television show that I never heard of. What a nice change after the coke men.   He sometimes sat with me at lunch in the cafeteria. Partners do not sit with paralegals. People kept asking me how I knew him, was he a friend of my family’s? My direct boss was an ex Guru Rashneesh devotee who learned paralegaling from working on all the cases against him. Once again the universe gave me a boss who did no work and let me carry the day. She played with her little sculpture projects (her favorite – the phallus) all day while I did all the work for an hourly wage. I was so exhausted my husband begged me to leave.

I’m getting tired just thinking about it. I have to go lie down now.

Watch Out For Those Snarky Actresses At Auditions

You gotta be really careful who you talk to at auditions. Seemingly innocent inquiries can turn into vicious attacks in a second. For instance, the question; “Which part are you auditioning for? When answered, is met with a snarling, “Oh, I’m too young for THAT ROLE.” Nice. Said to me at a callback by one of the barracuda type actresses you have to stay clear of.

Yes, at auditions and callbacks there are actresses who scan the room with evil eyes for whoever they think is their biggest competition and then set out to destroy them. It’s pretty weird.

I was once waiting in an auditorium for my turn to go in and read, and I watched an actress walk up and down the aisle scanning the competition. She picked me out to say something mean to. I guess I should have been flattered, if she thought I looked like her stiffest competition who needed to be torpedoed. She tossed her long blond hair over her shoulder and let the insults fly. “Did your agent send you here?” This for some non-union piece of crap open call early in my career. Her “agent” didn’t send her either, but she’s making believe he did. Then she asks me if I know “Chuck”. “You know, Chuck? The director? You’ve never met him?” She’s talking like they are old friends. When I see her go in it’s apparent they’ve never met. Cuckoo cuckoo.

I find this behavior really bizarre.   I once read in The Times that actors have a higher level of testosterone than the general population, maybe actresses do too.   Not that I’m a saint or anything.   I mean I just don’t give a crap about anybody else but myself at an audition. I’m all about preparing my Zen head before I go in, so why would I want to talk to anybody else?   Unless I’m waiting too long and then it’s all about the jokes.

I’ve actually befriended an actress who I’m consistently up against for the same role. We fill the same niche. She’s a doll. And when I’ve gotten to read with her, I love her work. She’s big time talented.   We laugh about how soon we’ll run into each other again. We once both got cast in a production and talked on the phone and decided the director had his head up his ass and we dropped out together. So it doesn’t have to be a barracuda business. If I can’t do something I’ve been offered, I tell them about her and visa versa.

I recently ran into an appointment a bit tardy. There was another actress in the waiting area. She gave me the slit eye stare. She said, “Ah, excuse me? Ah, you were late for your time, so they took me instead.” Delivered to make me nervous. I shrugged my shoulders and didn’t answer. She hated me more for that. Went in and got the part just for revenge.

A couple of months ago I read for a soap opera. The high-pitched tension in the area where the actors were waiting was like a force or something. I settled into my own headspace. Then it happened. An actress asked me for a tissue. I have to respond. I’m not rude. But I know what’s coming. THE INNOCUOUS FOLLOWED BY THE VICIOUS. As I’m handing her the tissue she glances at me and says, “You’re still looking at the script? I don’t need to.   I MEMORIZED MINE.” Please stick that tissue up your ass.

I have a veteran actress friend in my apartment building. Love her. She is an awesome sounding board if I am ever going crazy or anything. (EVER?) She’s done it all. Even married a director/acting teacher. Dated a very very famous actor in her youth. And her over-arching description of the business is, “It’s a blood bath darling. Darling, it’s a blood bath.”

Actor Speak 101

WHAT NOT TO SAY TO AN ACTOR:

 

  1. Have I seen you in anything?”

OBVIOUSLY NOT IF YOU’RE ASKING THIS QUESTION! The only excuse for this phraseology is if the speaker is a genuine Alzheimer’s or dementia patient and can’t remember things they HAVE SEEN. The subtext to this question being, “How dare you call yourself an actress if you’re not famous?

 

  1. “Do you get paid for the acting work you do?”

Asking anybody’s salary except an actor’s is considered tres gauche. Can you imagine someone at a party asking a banker, “So, um, what kind of money do you make working at that bank?”

 

  1. Oh! You’re an actor! My personal trainer does Community Theater.”

 

The subtext is the hidden insult of grouping me with someone who does Community Theater when I am on IMDB, and am a member of all the unions and have worked hard to get here. Thank you!

 

  1. “How do you handle the rejection?”

Usually said by someone who wants to appear as if they know all about what it’s like to be an actor. YOU DON’T, so shut your trap.

 

  1. “Oh, that’s so competitive.” (See #3)

 

  1. “I wanted to do that, but I felt that actors are all dumb.”

 

Actually said to me at my husband’s boss’s house at brunch so I couldn’t tell the blond who hated me at first sight to fuck off. She works in advertising-obviously not a lack of stupid people there. Subtext: jealous and bitter because she gave up.

 

  1. “Are you working on anything now?”

Subtext: There is an inherent challenge in this question because everyone assumes all actors are unemployed. Believe me, if an actor is working on a project they’re going to tell you about it. A friend of mine was once sitting Shiva for his father and while there his actress/cousin passed out flyers for her latest show.

 

  1. “What theaters have you worked in?”

Once again a question that would be gauche in the business sector. Akin to asking to see someone’s resume in a social situation. Subtext: The same as #1 and #2. (“You’re a banker? What banks have you worked for?”)

 

  1. “You should meet my nephew he just did “Guys and Dolls” at his high school.”

Oh yes, I’m sure we’d have tons in common. Subtext: Acting an OK activity for a high school sophomore, but preposterous for an adult.

 

WHAT IS LEFT TO SAY:

Ummm …. I have to think about that. Can I get back to you? There must be something appropriate to say to an actor? Ah……..

How about:

“Great Hors d’oeurves. Huh?”

Or:

“I found a place to buy great clothes for no money.” BARGAIN SHOPPING! A topic of great interest among artistic people. A painter friend and I actually feel that Trader Joes moving into our neighborhood has been a life changing experience. And we have figured out how to wear designer clothes by shopping at church jumble sales in upscale neighborhoods and trolling EBay.

 

Your favorite actor and why. Also good.

Or if you know anything about: differing acting methods. Most actors love discussing their training. English versus American. Stanislavski versus Meisner. Marlon Brando versus Lawrence Olivier. Early Robert De Niro versus his present self.

 

“Do you work in film or theater?” is a great question and can open up a discussion of the merits of either discipline.

 

And remember, ACTORS ARE PEOPLE TOO. They not only express feelings THEY ACTUALLY HAVE THEM.

The Torturous Location

Low budget films have to cut out everything but the necessities. So any basic comforts for the actors are out. There is no space, no privacy, sometimes no air. After a long day of filming, I often feel like I have a hangover from being in stifling spaces for long hours. Or freezing ones.

I worked on a film that rented a house for a location. The owners left for the day and figured they’d save money, so they turned the heat down to like 40 or something when they left. It was a frigid winter day in the flat barrens of Long Island. When the actors weren’t filming we were huddled together on a leather sectional under a pile of everyone’s coats.

The director seemed oblivious, as he was probably high on hormones or something. He was in the midst of transitioning from a man to a woman. Everyone had a different pronoun for him/her. I was careful when talking about the director to only use his NAME, as I was afraid of making a pronoun faux pas. When exactly does a he become a she? No one seemed sure.

The owners of the house also left their dog. Were they nuts? Crews are all about their equipment and I doubt if they would have noticed if that dog had slipped out of the house while they were loading in and was never seen again. But Saint Cranky of the animals was there, and I took care of the dog all day. We had nice little walks in the neighborhood together. And the dog was a great belly warmer among the coats.

It was a challenge slipping out from under the pile of coats to go do a scene. From a frozen fetal position to drama in minutes.

Greta Garbo once said, “I WANT TO BE ALONE.” I’m with you sister. I have always found like total utter joy in being absolutely quietly ALONE. Even as a kid, I remember reading books in the living room when no one was home and it slowly slowly got dark outside. I felt utterly content. So being crammed in a room with a bunch of people is not my idea of a good time. But when there are no trailers, no money, this is what happens.   You are all stuck in the one room they are not filming in at that time.

One film I worked on took place in a one-bedroom apartment. So at certain points, there were eight of us in the tiny bedroom together. AND the makeup artist and her table.   I ended up lying on the bed next to a really fun Palestinian actor staring at the ceiling and talking. He made it bearable. He had taught me the Arabic I needed to speak in the film. He was funny. He went on to do a lot of film and episodic television, including the program “24”, a must for any actor who can play a terrorist. He was proof that all struggling actors are really one job away from fame. I saw him in an absolutely terrible show at The Producer’s Club and the next thing I knew he was starring in a film.

For some reason, the director cast me as Middle Eastern. I even had a stone in my forehead. I pretty much look Irish, but she was Japanese, and maybe we all look the same to her. It was a job. I’m not gonna argue. As a side note, everyone was impressed that her Dad was a Zen monk. I was too until I thought about it and realized that in the West it is the equivalent of having your Dad drop out of society and become a fisherman.

Another torturous location is the outdoor shoot. The first time I worked outdoors, I was costarring with a little kid. His Dad showed up with two beach chairs. I thought that was peculiar, until six hours later when we were still there and I was trying to rest by leaning on a stonewall. Smart Dad.

I know none of this sounds hard. But everything in film TAKES FOREVER. So being huddled on a coach for an hour isn’t bad. But being there from 9am until 1am is a different story.

A great actor once said, “ I get paid to wait. The acting I do for free.

Vermin On My Resume

The most outstanding difference between professional theater and black boxes, beside the production value, is vermin. They should put “VERMIN FREE” on the marquees on Broadway. I’d be impressed.

The first show I ever did was at a black box on 22nd Street. The theater was up one long, long, long flight of stairs. There was no elevator.

I was told that when my father came to the show he yelled at my stepmother, “Jumpin Joseph, don’t sit near the wall!” He knew the decrepitude of the place meant vermin, and he was sure something was gonna crawl up the wall and jump in his pocket and he would bring it home and his entire life would be ruined.

I was really happy about being in this show.

I had to learn a Southern accent. I worked on it for days. I listened to it as I walked up Sixth Avenue on the way to the audition. I read for the director and felt I had done my best accent. The director said, “Go outside and wait and I want you to come back and read it again and THIS TIME I WANT YOU TO DO IT WITH AN SOUTHERN ACCENT.” Huh? I somehow got cast.

I was so excited with my first job, that I offered to help with things for the set. I brought half of my tiny apartment. Lamps, pillows, throws and a rug. The rug got smaller everyday as the mice were eating it at night. There was a box of chocolates in the show. They ate the chocolates. And, they were individually wrapped. By the end of the show my rectangular oriental rug was an octagon with long sad strings protruding from every corner. It was useless and got pitched.

On to roaches. The biggest roach fest I worked at was a storefront theater on the lower east side. It was next door to a fish distributor, so if the temperature went above sixty-five, the smell was horrendous. The manager’s office had them crawling all over everything, even in daylight.

There was a kitty litter box in the bathroom. We were once looking for a flashlight and someone said, “We can’t find anything, the only thing I can easily find is cat turds.” There were always plenty of those on hand. On opening night I actually put on rubber gloves and cleaned the bathroom. The litter box had to stay, but I flushed the offending turds.   I couldn’t have my husband’s aunt from Sutton Place use a filthy bathroom with stinking turds.

The most remarkable vermin fest was a theater near Eleventh Avenue, which I dubbed “The Mouse Festival”. I have never seen anything like it. There were pipes running around the walls of the dressing room, which we called “the mouse highway”. It was pretty much non-stop. The first rehearsal at the theater, an actress left an open container of dried fruit on her dressing table, and when she came off stage there was a mouse in it. From then on, when we could, we hung anything edible. I was afraid to touch the rug in the dressing room. This made changing a challenge. The vacuum cleaner didn’t work, and I was sure the rug was full of ancestral mouse poop. I quarantined any clothing I wore to the theater when I got home.

The dressing room had large windows with deep concrete sills outside. The owner of the theater had placed a large plastic bin full of water and an algae (more vermin) covered rock on the sill. This was for the pigeons. The Pigeon Spa. And mounds of birdseed were supplied everyday, the excess that fell on the floor being eaten by the mice. The room was it’s own ecosystem.

The denouement occurred one night when I was in the wings sitting in a folding chair waiting for my final entrance. It was a dramatic scene. There were guns. There was death. And I felt something on my toes. Yes, a mouse on my toes. I let out a high pitched scream which sent the rest of the cast into the giggles so we did most of the final scene with our faces turned away from the audience to hide the hilarity. And yes, the audience wasn’t immune. A gigantic one was running around the bleachers under the audience’s feet one night. A friend in the audience insisted that it was a rat, but I won’t admit that.

Now this is the worst thing that has ever happened to me. In my life.   I had an audition at a place on Eighth Avenue. I used the ladies room, which looked pretty skuzzy. When I got home, I took my coat off and went into the bathroom and looked in the mirror and there was a HUGE WATERBUG ON MY SHOULDER. My husband said when I took my coat off he noticed something on my shoulder, but he thought it was an epaulet. An epaulet? Like it was so big he saw it across the room? And it had rode home on the train with me. Under my coat. No!!! This is the most horrifying thing ever.

My father was right.

Theater People Hate Film People

I do both theater and film. But I have to admit, I prefer film people in general.

Often, at theater auditions, you can cut the pretentiousness with a knife.

Does anyone want to see Shakespeare with an unknown director and an unknown cast? No. If it doesn’t have a famous actor in it, nobody is interested. Even then it will have better luck if it is edited. Lose the songs. Cut the running time. Everyone loves the 90-minute no intermission show.

Same goes for Greek Tragedy. There is a well-known MFA program in a prestigious school churning out mini haughty directors following in the director of the program’s footsteps. They all have dramaturges.   They want to produce Greek tragedy. As if anybody cares. Honey, if you can’t get Diana Rigg, forget it.

And the monologue seems so yesterday. Give me a script.

Film people send you a scene from the project. They film the scene. They look at it the next day. They’re concerned with technical things and mostly don’t blow too much wind over their projects.

I actually went to a theater audition where the director (a doyenne of experimental theater past) actually took a group of us into the theater to tell us about the play. It went on for 40 minutes. A blow-by-blow minutiae filled plot description. “Then they go out in the boat. Then a storm comes. Then there is lightening. This whole time they are falling in love.” She is acting the fucking thing out. No!! This goes on and on and I am trying to figure out how to get the hell out of there. I have a fantasy of going down on all fours and crawling out between the seats with my purse wrapped around my ankle dragging behind me.

ALL I HAD TO DO WAS MAKE BELIEVE I HAD AN EMERGENCY TEXT MESSAGE. When did I think of that? When I got home.

Theater people can be suspicious of film people. I had a theater director look at my resume and say I should pick one or the other. She hated that I worked on films. Like it was some sort of sacrilege. How stupid is that? It does not take a brain surgeon to work in both mediums. There are so many actors that easily go between both. Ralph Fiennes anybody? It is a matter of size and distance. Bigger for stage, smaller and more nuanced for film. But always authentic, if possible.

I love when I go to an audition and they ask me which I like better, theater or film? I’m not kidding.

Of course film people have their quirks. Often in the search for realism they will ask personal questions to see how like that character you are. When going to play a Mom once, a director asked if I had any children, and looked disappointed when I said no. Do you think they asked Tom Hanks if he had been to the moon before they cast him as an astronaut?

I’ve been steering clear of a lot of theater projects because of the time involved. An accurate casting ad would read: “We will workshop twice a week for three months. Nights and weekends. Then we will rehearse seven days a week for three weeks. Also nights and weekends. Followed by two 12-hour days of tech rehearsal. Followed by a three week run which no one will attend!”

For this I need the attitude and the dramaturgy?

The Zen of Auditioning

Got home and found out I got the part in the film with hat woman. I rose above the hat.

But I got the part I wasn’t that interested in really. I read for two parts. And I worked worked worked on the other role. I memorized it; I had like emotions, blah blah blah.

The part that I thought was less interesting, I didn’t really prepare much at all. This was my big strategy – I’ll do the less interesting part badly so they’ll give me the other part. Ah huh. But what happens is, when I read, the essence of nonchalance comes across totally natural, so I get the part I was less interested in. Weird right?

I can’t believe I did this to myself. I should have thrown off the part I really wanted and tried really really hard on the part I didn’t want. Then I would have gotten the part I wanted. Is this giving you a headache?

This is an example of the psychological fine line actors deal with all the time. You need to care about the work and kinda not care about whether you get the part or not.

 

You have to not care about what they think of you. Or what you think they think they are looking for.

Ever noticed how many actors do meditation, yoga, The Forum, flotation, breathing exercises, etc? How some of them are like crazy superstitious? This is why. The caring/non-caring fine line.

This is the main reason inexperienced actors totally suck when they first start auditioning. They build each audition up in their minds to be “the thing” that is going to make or break them. So when they get in the room they have an out of body experience and perform in a total panic. And when they go to walk out of the room, they go directly to the closet door. Then they leave their bag in the room and have to go back in. Then they trip on the way to the elevator.

You can be a total artist in a class and then totally tank in front of a table of auditionees.

I know an actor who says he auditions really well when he is sick as a dog. Wanna know why? He doesn’t have the energy to be nervous. Just does his work and gets the hell out of there.

It’s all about being in the right headspace.

I used to have to prepare a lot to get there before I went to an audition. It was ridiculous. I did a meditation tape, an hour-long yoga tape, and a half hour voice tape. I used to joke I had to do so many tapes I had no time for people.

If my husband heard AH HUM AH HUMA one more time he was gonna kill me.

Now I can roll out of bed and just go. I’m used to the drill. I know my work; I’m not looking for approval. I’m interested in what’s going to happen to me when I read.

But I’m like not impervious or anything. I am playing the role I tried NOT to get.

Celebrity In the Hood

A celebrity has moved into my neighborhood. A big one. And the funny thing is, I could compose a personality profile based on the sightings my friends have told me about.

First Sighting. A health food restaurant. Eating by himself in the early evening and talking animatedly with the owner. Seen in the same restaurant at the same time like 4 nights in a row. Always by himself.

 

Deduction

1.Single.

  1. Spends a lot of time alone- as this restaurant delivers- shows he needs to get out around people after probably spending many hours alone.
  2. Likes to eat healthy.

Second Sighting. At an AA meeting. Have a friend who is devotee. There is a rule about not revealing who you see in meetings, but I assume this flies out the window where celebrities are concerned. “Wow”, I say to my friend, “That must mean he doesn’t drink.” “I don’t think so”, my friend says, “He said, “”Hello, my name is Blank,” he should have said, “”Hello, my name is blank and I’m an alcoholic. That’s how you address the group at meetings. I think he still drinks and just goes in and out of the rooms.” My friend did not like his outfit. Pleated khakis, white sox and a too short barn jacket. (Isn’t it amazing the detail we can remember about celebrities? The poor things.)

 

Deduction

         1.Sober? – inconclusive.

  1. Single– definitely – white sox outside of the gym.

Third Sighting. Another friend witnesses him get drunk at a small local restaurant, which is an upscale imitation of an English country pub. It can only be described as precious. The little velvet throw pillows on the banquette, the faux antique clocks, the chef with the ponytail. It has the air of one of those places where you have to impress the staff if you ever want to get a table again. Well, Mr. Celebrity is sighted in there getting totally drunk alone at the bar and grabbing the balls of the bartender over something that sends Mr. Famous into a rage. I don’t think he is ever going to get to sample the delicately fried oysters with a hint of shaved lemon peel. (My fav, natch- close to the clam.)

 

Deduction

1.My friend of the second sighting proves herself once more to be amazingly intuitive (is it all the yoga she does?)

  1. He’s another psycho celebrity.
  2. AA hasn’t sunken in.
  3. Loneliness confirmed again – drinking alone.

Fourth Sighting. My squash coach sits with him at the pizza parlor and finds out Mr. Famous cannot play squash because he blew his knees out playing football. Now that I think of it, he does look a bit meat heady jock like from Connecticut.

 

Deduction

 

  1. Was once big man on campus.
  2. Career testosterone driven.

 

Isn’t it amazing all we’ve learned from my observant friends? Can you imagine people noticing every detail about you every time they see you? Like the times you’re out of coffee and go to the Korean Deli without washing your face or brushing your teeth? Or the times I walked the dog in pajamas and a long coat? I would be pegged as a madwoman in a week.

What I take away from this is knowing I would NEVER ever submit myself to eating in that health food place with the hardwood uncomfortable chairs, the constant din of blenders making smoothies, the horrible blasting 80’s music, the service from another planet (crochet caps and tattoos the regulation uniform). No, I get it delivered. This makes me feel just a tiny bit better about not being famous.

Famous Actor Who Shouldn’t Direct

What makes a great director? I think it’s the ability to be really really calm even though underneath there is tremendous pressure. I was once fortunate enough to watch a world-class director in action and he was like the Buddha. People were running up to him every few seconds between takes asking him for decisions and he said exactly what he wanted, calmly and precisely. He was reassuring with the actors. He smiled at them and nodded. Took time for a little joke. He was a big Daddy.

On the flip side, I also witnessed a famous actor who was mind bogglingly ill suited to it, try his hand at directing.   This guy exudes mega amps of nervous tension on screen and it works for him. Unfortunately, he has the same vibe in life. The air around him literally vibrates with tension. My first encounter was when he walked into wardrobe and started talking about me two feet away from me while looking at me in horror. He thought my hair was too short to be put up (it was a period film). The hair person had a picture in her hand of me in said hairdo. He left with an angry look on his face. Why why why? I pegged him as a nervous twit and vowed to stay cool no matter what.

The film had a lot well-known actors who were taking pay cuts to work on his foray into the independent film world.

Everyday, to break up the long hours, the most famous of them all would collect one dollar and have you write your name on it. Then sometime in the afternoon she would come onto the set smiling and laughing and say, “Hey everybody! Its time for the drawing!” Applause and laughter. A big hug from famous actress to the winner. The entire time, nervous director looks like he wants to kill her and practically has smoke coming out of his ears. It wasn’t pretty. This was repeated every day. I looked forward to him being tortured, actually.

Then there was the big star who didn’t learn lines. He said he was more spontaneous if he didn’t know what he was going to say. (A likely story!) So the director had to say the line while the camera was rolling, and the big star would repeat it. Then a pause, and the director would say a line and the big star would repeat it. They did whole scenes this way. They would have to cut the director’s part in the editing room. As a side note, after a twenty minute break, this same actor returned to set with a massive black grease stain on the pants of his period costume and he looked kind of surprised that it was there.

Staying in another mental dimension seemed like a good strategy for dealing with the atmosphere on the set and this actor was obviously way way away.

 The funniest thing I witnessed, was watching him work with a veteran actor. The director kept trying to get him to set the blocking for the scene so he could choreograph the cameras and the veteran actor kept stumbling around and saying, “I don’t know. I don’t know. But when we actually do it, it all might change. I might change everything. Depends how I feel at that moment.” Director was grinding his teeth. The veteran actor appeared totally unaware that the director was flipping out. It was beauteous.

One afternoon, an actress was doing a scene and the director wasn’t happy with it. His reaction was to pace back and forth and bark, “Do it again.” On and on he went, “Do it again. Do it again. Do it again.” Barely a breath between takes. No direction, no input. “Do it again. Do it again. Do it again.” The actress deconstructing more and more on every take. He had also written the film, which makes it twice as hard, as writers often hear the way they think a line should be delivered in their head. The scene never improved, it got worse. He was yelling at the crew to reset faster. Faster, faster, faster. The word faster is like a death knoll to an actor. The poor actress was his wife.

Eh, the film didn’t look so good when it was done. It didn’t do too good either.