Archive for the 'show business' Category



The Clams Have It

One summer, I got a job doing a play in Martha’s Vineyard. I was so excited. What a coup – summer on the Vineyard. It paid. A little. And with it came free lodging at the director’s house!

I had to sell my husband on the idea. “ We can stay for free at his house. It’s probably some great beach house on the Vineyard.” He said OK.

We packed up six weeks worth of belongings and the dog and took off in my husband’s sister’s Honda Civic.

I love the ocean and was so excited to be getting to spend six weeks there. I also love seafood, and the minute we got of the ferry I insisted we get fried clams before going to the director’s house. Let’s call that, our last “Happy Meal”.

We find the house; it’s on a suburban looking street. My dog takes one look at the director and pees on the floor. Thank goodness it’s on the wood part. We chat in the dining room. The playwright/director makes me really uncomfortable, telling me he picked me because I look like his ex-wife. But he really hates her now. His current wife smiles uncomfortably.

When they are going to show us where we will be staying, I am looking expectantly up the stairs while they are opening the door to the BASEMENT. Oh, OK, maybe it’ll be OK. MAYBE NOT.

It’s an unfinished basement. Cinder block damp walls and a ceiling of insulation. It smells of dank dampness and mildew. There is a washer and dryer. And a small abandoned rodent in a cage that no one pays attention to. There is no air, no light. To me as a claustrophobic, it’s a nightmare. We will have to go upstairs and share the family bathroom to take showers. My husband is giving me the “what have you gotten us into look.” I try to not say anything. The dog looks indignant and upset.

The playwright/director turns out to be a stoner house painter who is high constantly high. I think he might have a problem with women. He has cast a dim blond in the show who wants to act and dance on Pointe. She is very stiff in both the acting and dancing. Find out later that he was having an affair with her. She looks at me with squinty eyes wondering if I am competition. She invites me swimming and takes me to a place where if you don’t know what to avoid, you get cut up by barnacles. I get cut up by barnacles. Blood streaming down my salt water covered legs as I emerge from the water.

 

My husband and I can’t get ourselves to go back into the basement at the end of the day.   We drive to the house and just sit in the car looking at it. Play music in the car. We refer to ourselves as “The People Under The Stairs.” My dog is scared of the director and has an accident every time she sees him. After two days, we can’t take it anymore and rent a place nearby. Paying more for rent than I am making in the show. But how can you put a price on sleeping in a place where you can breath and not have panic attacks? It’s clean. It doesn’t smell. We don’t have to lug toiletries back and forth to a bathroom and worry about running into someone.   It has windows. It’s not perfect. The only thing to sleep on is a foldout couch. We take the mattress and put it on the floor every night.

 

The director told me I was being stupid when we moved out. The summer before he had six actors living down there in the basement.   Six actors?

The show is a new age drama set in the future. I’m just hoping I don’t have to wear a tin foil hat and giant shoulder pads. Stoner let’s me create my own costume from the thrift shop.

The director is very possessive of my time. Even on my time off, we’re expected to hang out with him. Someone I met at the local church invited us to a lovely art show on a lawn. A normal person. The art show happens to be across the street from an event he is involved in. The director finds us by spotting our car. He marches in to the art show and says I’m waiting for you at MY PARTY. He looks a little crazed/stoned. We have to go with him. For the rest of the summer I am a pariah at church.

My favorite moment during the run of the show was one night when blondie is supposed to do her pointe dance.   The cue for the music to start was when she goes up on pointe. She goes up on Pointe. No music. She stays there and stays there. Forever. Her arms are over her head. Her eyes darting from side to side. She is frozen. After an eternity, and still frozen in position she yells; “CAN I HAVE SOME MUSIC PLEASE!”

Major amateur moment. AWKWARD. Duh. Just do your dance a cappella. Hello?

The director had cast himself as my ex-husband in the show. He never memorizes his lines. He carries around a clipboard with the script on it. While we’re on stage performing, I grab it out of his hands just to entertain myself. The local paper described it as a “tortured melodrama.”

He keeps stalling on giving me my agreed upon guest artist weekly salary, and I have to threaten to leave to get him to give it to me.

But there was beach. We found a favorite beach down a winding dirt road through trees. The water was clear. We ate lunch at the Black Dog everyday. I bought the T-shirt. Our dog played on the beach. She made friends with a famous writer’s dog. My husband did lots of writing. And there were CLAMS. It was so worth it.

The Other Kind of Disaster Film

Working on student films is really good practice. The more you’re on a film set, the more you learn to live and breathe in front of the camera. To know that when they “ACTION!” you don’t have to DO ANYTHING. I try to stick to graduate school films, final senior projects, and thesis films. But it’s a crapshoot. I’ve been in films that went to a ton of festivals all over the world. And then I’ve also been in um, ah, the opposite.

Recently, a student director in graduate school called me. Another director who I think is great, recommended me to her. So I said sure, I’d do her project. She emailed the script to me. I took the script to the hairdressers. I took the script on the subway. I studied it while lying on the couch. It was only 5 pages, but I like to fill it in emotionally, so when I get on set I have a lot to draw from. I studied, studied studied. I was ready, because the lower the budget, the fewer takes you get.

 

I was scheduled to film on Saturday at 12:30p.m. Saturday comes, and I call the director at 11:00a.m. to ask a question before I leave for the train to the Upper West Side. She says something about the script, and mentions a character, Chad. “THERE IS NO CHAD IN MY SCRIPT,” I say. “There has to be,” she says, ”He’s the boyfriend,” she says. “Well there isn’t,” I say, “There’s a Steve.” “Huh?” she says, “Oh my god. I sent you the wrong script!” SHE SENT ME THE WRONG SCRIPT. THE WRONG SCRIPT! The ah….WRONG SCRIPT! This is definitely one for the books.

She gets hysterical, “I can’t believe I did that.” I tell her, “Just email it to me. I’ll learn it.” So I have like 10 minutes with the script plus subway time. I learn it. Superficially.

When I get there, I am introduced to the other actress I’ll be working with, or should I say PERSON, as she has never studied acting and is a political science major. OH OH. DISASTER. She can’t handle props. Can’t walk and talk. I have to basically corral her by grabbing her by the waist and moving her to the marks while we’re doing takes. With all the actresses in New York City, who would love to get another piece of film for their reels, WHY IS THE DIRECTOR USING SOMEONE WITH NO EXPERIENCE? Unless all the other actresses in New York City know something I don’t know.

We are filming in the park. Planes keep going by every few minutes and we have to cut. The director and the DP have carefully choreographed exactly where we say what. There is a beautiful bridge and water in the background. They want us to move to certain positions to take advantage of the scenery. We do a lot of takes. It’s truly hard to believe how fakey phony poor person parading as an actress is.

At the end of the day I am exhausted, feeling like a film cowboy who has been rounding up cattle all day. Weeks later, when the final product arrives, it is a film of two bobbing heads talking to each other. I swear. It’s just heads. When the heads aren’t bobbing the camera is. You can’t see the background. You can’t see the outfit I was wearing. They filmed the whole thing so close, half the time you can’t see my hair. THEY SHOT IT SO CLOSE WE COULD HAVE BEEN ANYWHERE.   We could have been in the Laundromat. The sound goes in and out. It is hands down the worst attempt at a film I have ever seen. A future PA in the making? Maybe all the other actresses in New York did know something I didn’t know.

Stomach Ruins Performance

Some days even Ms. Cranky can’t be cranky. Like yesterday, working with a gifted young filmmaker, who I love, love. Love. Everything flows. There’s no tension. It’s all good vibes and very efficient, but done in a gentle way. A female director. Love that.

I’ve worked with her a few times. Sometimes I’ve read a script she’s given me and thought, “How the hell is she gonna do that?” And she does. Easy. Like pulling a star out of the sky and walking down the street with it. I swear. With no budget. Yea! Love this kid.   She’s all imagination.

But I will admit, since this is anonymous, that I broke method for vanity yesterday. When I got zapped with the laser beams coming out of the male leads eyes, (STOP LAUGHING!) I was supposed to fall dead on the floor. Falls are no problem. I took classes at Martha Graham. Everybody was always falling all over the place. So I fall. Dead. I broke method when it came to the close up of me lying on the floor. I held my stomach in. I mean I was wearing a Lycra top, lying on my side, and I could feel the remnants of Thanksgiving spilling out and creating a little pouf. I KNOW DEAD PEOPLE DON’T HOLD IN THEIR STOMACHS. I decided to risk it and do it anyway, and not have the poufy stomach on film for everlasting eternity. I really hope you can’t tell, because if you can, I will look like a real retard, you know? People will be watching thinking, “Oh, the dead body still wants to look good. That’s weird. Vanity after death.” Or maybe vanity before reality? Don’t tell Mr. Inscrutable. He won’t talk to me for another eight years.

Audience Turns Into Snoring Contest

Matinees always suck. The energy is weird. The audience is weird. You have to comp old age homes to get people in the seats. One matinee, there was an elderly couple asleep in the front row throughout the whole show. Front and center, you couldn’t miss them. The man let out an occasional snore. Really made you feel good about what you were doing. One of the actors in the show kept pacing backstage and saying, “ What I want to know is…if they are BOTH sleeping, whose idea was it to GO OUT? Huh? Whose idea was it to GO OUT?”

At another matinee, I was working on an experimental theater piece where the main character dragged herself around the stage and drooled the entire show. I remember watching spit strings the were lit up by the stage lights slowly coming out of her mouth and stringing themselves down to the floor. I heard shuffling in the audience and a bunch of EXCUSE ME, EXCUSE ME, EXCUSE MES, as some people left while the show was in progress. While other audience members were shushing them for making a commotion as they left. They were once again front and center. WHY WHY WHY? Inspiring, huh? Can you imagine doing that? I recently sat through a musical written by a non-musical playwright that was scary bad and my friend and I wouldn’t leave DURING INTERMISSION because we were in the first row center and we wouldn’t do that to the actors. We would never leave those two seats front row empty for the world, and especially the actors to see.

So, anyway, after the show, I met a couple of friends for a bite to eat down the block. When I walked in, two elderly women looked at me and said. “OH. YOU WERE IN THAT SHOW!” I answered, “Ah, yea.” “OH HONEY,” THEY SAID, “WE HAD TO LEAVE. WE’RE SQUEAMISH. BUT YOU WERE GOOD. YEA, WE LIKED YOU. BUT WE COULDN’T STAY. WE CAN’T WATCH SOMETHING LIKE THAT.”

Now my question is, why did they even tell me? Wouldn’t it have been better not to bring it up?   Did they have to bring it up? I wouldn’t have recognized THEM.

Famous Actor Follows Breast Around All Day

There is a pecking order on large films. There are people who count and people who don’t. This was never more apparent then when I did stand-in and extra work for a period film. I had to be dressed by a wardrobe woman in an authentic turn of the century outfit. It was very very very hot. Only the craft services room had air conditioning. We were in an old school building in Jersey,

One morning, the wardrobe woman was dressing me. We were in a stifling, small; closet sized, dressing room that was created by curtains. I had on tights, a black satin skirt and she had just finished tying up the corset, when she heard the lead actor’s voice outside. He was the latest himbo. She heard him and just flew out of the dressing room and left me there. All the wardrobe women were standing around admiring the new bloomers they had made for him. I’m not kidding. Bloomers.

I’m dying. It’s stifling. I can’t get the blouse on by myself. I’m waiting. I’m waiting. I can’t go out there. I’m in a corset. I can’t breathe. I’m dying. The corset is synched so tight I couldn’t slouch and I didn’t know if laughing was a possibility. Unfortunately, I am well endowed, and a corset makes large girls look gargantuan. They are pushed up to my chin. I finally can’t stand it anymore, and quietly walk out of the dressing room.   Wardrobe woman glances at me and says’ “Oh, sorry.” Like she forgot I was in there. She was mesmerized by the bloomers. She goes back to admiring the bloomers and their contents.

I try to act casual and not attract attention. Unfortunately, the corset makes unobtrusiveness impossibility. Himbo is staring. He says, “Hello.” I say hey and look annoyed and turn away. Stupid men love you when you ignore them; I learned that in high school when the most popular guy in tow towns was dating me. I used to say, “Go away” a lot. He became obsessed.

So that did it. Himbo makes eye contact with me the rest of the morning. Introduces himself. He actually sits with me at lunch! I kid you not. Himbos don’t sit with extras. He carries a Leica with him, and he takes my picture as I’m sitting across from him and we chat. One of the supporting actresses comes over and sits next to me because she wants to be near him. She actually tells him what a great body he has. “You do, you really do”, she says. I find this kind of embarrassing and repulsive all rolled into one. The minute I finish my lunch I jump up and toss my tray and head out of there. Himbo looks confused that I would walk away. But as impressive as all this sounds, I saw him the week before trailing another extra he took a liking to. He never noticed me that day. Oh no, not until the girls came marching out.

Callback Disrupted By Hat

Had a callback yesterday for a film. The director was having me read with an actress who is already cast. You could tell she was already cast, as she felt no need to impress anyone and was 20 minutes late.

We go into the room where we’re going to film the audition and she sits down and she is wearing a kinda huge, loud plaid hat pulled down over her eyebrows. I’m going to be reading an emotional scene where my son is in a coma and I’m not feeling the hat.   Who wears a hat at an audition? The hat had nothing to do with her character or the scene. THE HAT WAS TAKING OVER. I ask; “Ah, um, would you possibly, ah, would it be ok if you took off the hat?” “NO”, she says and looks uncomfortable. Ok, so I’ll do the scene with the hat. “I’d just like to see your face.” I say. “Oh” she says and pushes it up above her eyebrows. Then she says; “I’m not emotionally prepared or anything. I mean I’m not ready to really do the scene. I don’t think I’m going to be able to give you anything.”

Did she just fall in here unsuspecting off the sidewalk? Did she not know she was coming? I tell her, “Just relax and be natural and don’t push, it’s OK.” Even when people are obnoxious you have to help them because otherwise it will screw you up.

After we read, we are and walking out together I ask her if she is having a bad hair day.   For the first time she becomes animated and says; “YES! I got up today and just decided fuck it, and I didn’t wash my hair. THAT’S WHY I’M WEARING THE HAT!” I tell her I did the same thing because it’s raining. Washing your hair on a rainy day and going to a film audition is artistic suicide. Guaranteed big frizzy hair – bad on camera. “I flat ironed dirty hair before I came here” I say. “YOU DID?” She says with an amazed AH-HAH look on her face like that is the most ingenious thing she’s ever heard. I think I just saved the next person she will audition with from THE HAT.

Audition for “30 Rock”?!!

Another actor blog? I promise not to do the usual “Wow, I got a CALLBACK CALLBACK CALLBACK!!” type of actor blog.  ‘Cause that would make me NAUSEOUS NAUSEOUS NAUSEOUS!!  No, there will be no headshot included, or link to my online videos.  My name will be fictionalized so I can actually tell the truth and not try to sound LIKE I’M DOING REALLY WELL.  No, there will be true unglossified stories of auditions and weirdness that is a part of my life.

I got from a casting director on a Saturday asking me if I was interested in a doing a bit on a major prime time hit television show. Ah yea, the answer would be yes! Opposite a major “Mad Men” star. OMG!! Could I meet the director on Monday morning at 10am at Silvercup Studios? Ah ah ah the D D D D D Director?

Now, I don’t get to meet directors of hit sitcoms. No no no, I’m the queen of student films. I planned my outfit, went to Hop Stop to figure out how to get there. Skipped that. Took a car. Stressed about the fact that I had a paying job in Manhattan that started at 11am. Hmmm. The money gig versus the audition is a very clear case of bird in hand.

The first sign that this wasn’t going to be the appointment I expected, was when I was sent to sit in a big barren “holding room” that is used for holding extras and was also a sad-looking cafeteria with that horrid cafeteria smell. Two other women up for the same role were already there, reading their newspapers. An uncommunicative PA came in the room and had us fill out papers. When I told him I had to leave by 10:30 because I had work, his response was; “What you’d do that for?” Then one of the actresses tells me she once waited 10 hours to see Robert DeNiro. Eh? I’m starting to vibrate with anxiety about being late for my freelance gig. Freelance means they are always free to hire someone else. The PA ignores me until my stares finally elicit a response and he talks on his walkie-talkie and tells me to follow him. We go down to the offices. When we get off the elevator he points to a couch and says very firmly; “Sit there.” What does he think I’m gonna do? Run around and ransack the offices? Try and do monologues for any living moving person I can find? Shove headshots at people? After a few minutes, a woman, I think she is the 2nd A.D., sticks her head out of her office door and says; “They changed the script over the weekend. She’s a shriveled old woman now. You can go.” You can go!! YOU CAN GO? No sorry you had to come all the way here?” No consideration of the fact that Silvercup Studios is NOT CONVENIENTLY LOCATED!! Oh no. Just: “YOU CAN GO”. Nice. I ran to the train and luckily one pulled in right away. Ran from the subway to the job and made it. In what universe are people this rude? The acting universe. In ten seconds, the excitement of prime time, director, working opposite star are out the window with one sentence from a nameless woman.


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