Archive for the 'auditions' Category



The Myopic Topic Conversation

There are a lot of situations when actors are sitting around waiting. Occasionally, especially at auditions, actors find ways to let other actors know about all the work they’ve done short of just whipping out their resumes and reciting it. They also find ways to drop how tight they are with the director.
This takes ingenuity. It takes talent. But with a background in improvisation, it is pretty effortless to take any topic and find a thread to past projects you have done.
Here is an example of how this is done:

Actress 1
Hi, uh are there any sides?
Actress 2
Yea, on the table.
Actress 1
Oh, thanks. Are they on time?
Actress 2
Yea, BUDDY told me it would only be a few minutes.
Actress 1
BUDDY?
Actress 2
He’s the DIRECTOR. He’s a FRIEND of mine. He called me personally and < ASKED me to audition.
Actress 1
Do you have a TISSUE?
Actress 2
Sure. That’s so funny. I’m in a play RIGHT NOW and I have to cry every night and I’m crying so much that we’re going through a ton of TISSUES!
Actress 1
That’s nice. COLD out, huh?
Actress 2
Yeah. That’s so funny. This weather reminds me of the time I did CHEKHOV, it was < COLD then too.
Actress 1
Speaking of COLD, that reminds me of the time I did MIDSUMMER NIGHT’S DREAM and the air conditioner broke. We wished it was COLD then, you know?
Actress 2
Oh, how awful.
Actress 1
And to make matters worse, it was a FULL HOUSE. We sold out every night.
Actress 2
Oh, that reminds me of the time I did MISS JULIE. They lived in a HOUSE.
Actress 1
I auditioned for that role. My agent said I didn’t get it because the role is too old for my age range.
Actress 2
Gee, your agent sounds nice. That was such a nice way to put it. So you weren’t too disappointed. How sweet!

You Can’t Be Late If I’m Late

My post holiday blahs have now turned into FULL BLOWN SEASONAL AFFECTIVE DISORDER. Which makes making it to an early appointment on time a problem. On top of FBSAD, I had to get ready for an early appointment the other day on no sleep.
Couldn’t sleep because I had taken a horrid boot camp class where we had to go back to back with another person and loop elbows and go around the gym putting our butts on the floor and getting back up again. I was paired up with a muscle man who ended up dragging me around the gym by my elbows. Why why why don’t I just stick to Pilates and Yoga? The enlightened regimes. So,I think one shoulder might have been ripped out of socket or something.

When I woke up, late, I ran in circles trying to figure out what to do first. Because after finally falling asleep, I had overslept. I was living proof that what Napoleon once said to his manservant, “Dress me slowly, I’m in a hurry,” is absolutely true. But it is also absolutely against my high-strung spaz-out pre-audition self to follow it.

Should I wash my hair? I had planned to wash it, but now am squeezed for time. Must do the old silk groom and flat iron dirty hair trick. If ever get an award (like the first ever Black Box Awards) I will say in my speech, “I owe my career to the Chi Flat Iron.”

Had to hold two refrigerated jam jars over my eyes to get rid of the puffiness. (Don’t you love all the free beauty tips you are getting here?) Put the Visine in both eyes. Made note to but the atomic powered blue eye drops the makeup artists use. (Your welcome.)

The perfect sweater I just HAD to wear had a big hole in the sleeve. How did that happen? No time now to sew it. I have a million sweaters, but you have to wear what feels right for the day, so I wore it anyway, and pushed up the sleeves to cover up the hole. Clothes have a vibe, and you have to have to right vibe.

Took me a good ten minutes to get my new boots on. But HAD to wear those also.

Did a partial makeup job. Had to finish it on the subway. Hoped to have time to do it on the platform, as the fascinated stares of the other passengers as I put on mascara, and make the mascara face, make me cringe. I should put “applying mascara in a moving car” with the special skills my resume.

I somehow never got around to working with the script, so read it on the subway, after I put on the mascara. I am already off book when the train pulls into the station.

I AM ON TIME, with torn sweater and blobby mascara.

I enter the waiting area and find that they have double booked the time slots and are running way behind. “Really? Fuck off. I could be sewing my sweater right now!” I think. “I busted my ass to get here on time. I put mascara on in the subway!”
The reason it bothered me that they were running late, was because I was running late. After I skipped so many steps to get there on time, it irks.

In general I have a forty-five minute rule. I’ll wait forty-five minutes, and then I’m outta there. But, the holy sweater is working my nerves now that THEY are running late.

When they bring me in, I am, of course, ALL SMILES. Bravely rising above my FBSAD.

The Urgent Email

Sometimes, as a writer, the universe just throws something into your lap. All you gotta do is recognize it. Like the emails I go recently from a fledgling director studying film at NYU.

The messages I got were marked URGENT.

I have changed the name of the director to protect the innocent. (Or is it guilty?)

The First Message:

Hello, everyone! My name is Joe and I am the Director/Writer/Co-Producer of this little venture. I have been trying to obtain a space for auditions at NYU for the coming week, but since classes don’t begin until the following week, it’s taking longer than I expected to get requests and approvals through the system. I would like to have auditions on Thursday and Friday in the afternoon; should that work out, I will send a message with schedules by Tuesday at the latest. I know that is kind of short notice to prepare something, but the facilities are closed next weekend and I have a very packed class schedule. I wanted to have auditions early so as to avoid having them on the weekend, but once classes start, my only free day is Tuesday, so if they don’t happen this week, the following Tuesday will be the earliest possible date.
As for what you should prepare for the audition, bring whatever material will help you give your best performance in the audition.
Thank you for responding to the casting call, and I hope to see you all next week.
Joe

Information I Need To Know: O
Reason for Sending Email: Unclear

The Second Message:

Hello again! I wanted to send this out yesterday, but the Internet in my building went out and hasn’t returned. I had to go to my sister’s apartment to send this out. Hopefully it’ll be back on tomorrow.

An update on the auditions: apparently the audition rooms aren’t open to me until the semester begins, which is information that, for some reason, wasn’t available until I went through the whole application process. Unfortunately, this means that I won’t be able to hold auditions until the 24th and 25th. I know that the weekend is hard for most people, and I will try to arrange a room for that following Tuesday as well (the 27th), but unfortunately the system doesn’t open up until the 20th. I will try to create a schedule that will be easy for everyone.

Also, I’ve gotten messages from several of you asking whether you should prepare a monologue or if there will be sides. The answer is: whatever you feel is best for you. If you want to do a monologue or sides of your choosing, just bring them in. If you want to see the script and maybe perform sides from that, just tell me and I’ll get it to you as soon as possible.
Thank you for your time, and I’m sorry for any inconvenience this may cause.
Joe

Information I Need To Know: 0
Reason for sending email: Unclear

Dude, skip to the end. What the fuck do you want me to do? Where do you want me to go and when? Figure it out BEFORE you email me. Don’t make me read about your internet, your sister and your application process.

My Response to Joe:

Dear Joe –

I would like to suggest you skip directing and take up writing, as you obviously like to write, even when you have absolutely nothing to say. As I writer, I can tell you that it does not require the organizational skills of a director. If you can figure out which couch to sit on and what hours you will not be watching reality TV, you are good to go on a career as a writer.

The mental machinations exhibited in this email would be hilarious in a work of fiction. But sadly, they are not funny as something someone wrote in order to actually accomplish anything. You are wasting your talents. I have heard NYU costs a mint. I hope your parents are wealthy.

Sincerely,

Cranky

Of course I would NEVER send this. The poor thing. He was over excited. But, I will be “out of town” for the 24th and 25th and will miss the debacle that is sure to be Joe’s audition.

I’m the Last To Face It-The Holidays Are Really Over

Got a call yesterday for an audition. Yesterday was New Year’s. Have been making cookies, eating cookies and avoiding the artic vortex.

The message says: “Must do a monologue plus sides.” That seems excessive. Can’t they just choose one? My mind was like, “You want me to do what? You want me to go where?”

I’m in the final stage of holiday mode. As an introvert, I need a gradual transition from inside mode to world mode.

There are three stages of holiday head:
Anticipation of holidays. There are days before the official holidays when nothing is happening audition wise, so holiday head has expanded. Sort of extra parenthetical holiday days surrounding the actual holiday days. So the actor’s holiday is a little longer. It’s a nice break. No pressure. No making impressions. No lines to learn. No outfit to pick out.

The second stage is questioning. These are the actual days off, which in the beginning seem so quiet, you ask yourself why you looked forward to this. How many dishes can we dirty in a day? How much chocolate can we eat? Will my husband ever stop asking what are we going to eat for the next meal?
The third stage is acceptance. You settle into a routine something like this:
Wake up. Put on velour lounge outfit. Eat muesli and watch “Morning Joe”. Check email, check Facebook. Play Pathwords. Spend fifteen minutes watching a video of puppies falling asleep on Youtube. Sit on sofa with Grandma’s afghan across lap and read. Surprise! It’s lunchtime already!
The third stage:
After this has gone one for a little while, I don’t want to get out of my velour lounge outfit. I don’t want to put on makeup. I want to just sit on the couch and write. Like I’m doing right now. But if I never leave the house, I will have nothing to write ABOUT. This is a problem.

In the words of a dear friend, “Honey, let’s face it. If we could figure out a way to sit home and get food delivered and watch TV and get paid for it, we’d never leave the fucking house.”

I’m so lucky to have a friend who understands. Don’tcha think?

So I have to go back out into the world now. I have to pick a comedic monologue and an outfit. I have to change my morning routine so it won’t take me four hours to get out of the house. (No more puppies?)

Maybe I’ll start my reintroduction into the world with a trip to Trader Joes- the happy place.

Watch Out For Those Snarky Actresses At Auditions

You gotta be really careful who you talk to at auditions. Seemingly innocent inquiries can turn into vicious attacks in a second. For instance, the question; “Which part are you auditioning for? When answered, is met with a snarling, “Oh, I’m too young for THAT ROLE.” Nice. Said to me at a callback by one of the barracuda type actresses you have to stay clear of.

Yes, at auditions and callbacks there are actresses who scan the room with evil eyes for whoever they think is their biggest competition and then set out to destroy them. It’s pretty weird.

I was once waiting in an auditorium for my turn to go in and read, and I watched an actress walk up and down the aisle scanning the competition. She picked me out to say something mean to. I guess I should have been flattered, if she thought I looked like her stiffest competition who needed to be torpedoed. She tossed her long blond hair over her shoulder and let the insults fly. “Did your agent send you here?” This for some non-union piece of crap open call early in my career. Her “agent” didn’t send her either, but she’s making believe he did. Then she asks me if I know “Chuck”. “You know, Chuck? The director? You’ve never met him?” She’s talking like they are old friends. When I see her go in it’s apparent they’ve never met. Cuckoo cuckoo.

I find this behavior really bizarre.   I once read in The Times that actors have a higher level of testosterone than the general population, maybe actresses do too.   Not that I’m a saint or anything.   I mean I just don’t give a crap about anybody else but myself at an audition. I’m all about preparing my Zen head before I go in, so why would I want to talk to anybody else?   Unless I’m waiting too long and then it’s all about the jokes.

I’ve actually befriended an actress who I’m consistently up against for the same role. We fill the same niche. She’s a doll. And when I’ve gotten to read with her, I love her work. She’s big time talented.   We laugh about how soon we’ll run into each other again. We once both got cast in a production and talked on the phone and decided the director had his head up his ass and we dropped out together. So it doesn’t have to be a barracuda business. If I can’t do something I’ve been offered, I tell them about her and visa versa.

I recently ran into an appointment a bit tardy. There was another actress in the waiting area. She gave me the slit eye stare. She said, “Ah, excuse me? Ah, you were late for your time, so they took me instead.” Delivered to make me nervous. I shrugged my shoulders and didn’t answer. She hated me more for that. Went in and got the part just for revenge.

A couple of months ago I read for a soap opera. The high-pitched tension in the area where the actors were waiting was like a force or something. I settled into my own headspace. Then it happened. An actress asked me for a tissue. I have to respond. I’m not rude. But I know what’s coming. THE INNOCUOUS FOLLOWED BY THE VICIOUS. As I’m handing her the tissue she glances at me and says, “You’re still looking at the script? I don’t need to.   I MEMORIZED MINE.” Please stick that tissue up your ass.

I have a veteran actress friend in my apartment building. Love her. She is an awesome sounding board if I am ever going crazy or anything. (EVER?) She’s done it all. Even married a director/acting teacher. Dated a very very famous actor in her youth. And her over-arching description of the business is, “It’s a blood bath darling. Darling, it’s a blood bath.”

Vermin On My Resume

The most outstanding difference between professional theater and black boxes, beside the production value, is vermin. They should put “VERMIN FREE” on the marquees on Broadway. I’d be impressed.

The first show I ever did was at a black box on 22nd Street. The theater was up one long, long, long flight of stairs. There was no elevator.

I was told that when my father came to the show he yelled at my stepmother, “Jumpin Joseph, don’t sit near the wall!” He knew the decrepitude of the place meant vermin, and he was sure something was gonna crawl up the wall and jump in his pocket and he would bring it home and his entire life would be ruined.

I was really happy about being in this show.

I had to learn a Southern accent. I worked on it for days. I listened to it as I walked up Sixth Avenue on the way to the audition. I read for the director and felt I had done my best accent. The director said, “Go outside and wait and I want you to come back and read it again and THIS TIME I WANT YOU TO DO IT WITH AN SOUTHERN ACCENT.” Huh? I somehow got cast.

I was so excited with my first job, that I offered to help with things for the set. I brought half of my tiny apartment. Lamps, pillows, throws and a rug. The rug got smaller everyday as the mice were eating it at night. There was a box of chocolates in the show. They ate the chocolates. And, they were individually wrapped. By the end of the show my rectangular oriental rug was an octagon with long sad strings protruding from every corner. It was useless and got pitched.

On to roaches. The biggest roach fest I worked at was a storefront theater on the lower east side. It was next door to a fish distributor, so if the temperature went above sixty-five, the smell was horrendous. The manager’s office had them crawling all over everything, even in daylight.

There was a kitty litter box in the bathroom. We were once looking for a flashlight and someone said, “We can’t find anything, the only thing I can easily find is cat turds.” There were always plenty of those on hand. On opening night I actually put on rubber gloves and cleaned the bathroom. The litter box had to stay, but I flushed the offending turds.   I couldn’t have my husband’s aunt from Sutton Place use a filthy bathroom with stinking turds.

The most remarkable vermin fest was a theater near Eleventh Avenue, which I dubbed “The Mouse Festival”. I have never seen anything like it. There were pipes running around the walls of the dressing room, which we called “the mouse highway”. It was pretty much non-stop. The first rehearsal at the theater, an actress left an open container of dried fruit on her dressing table, and when she came off stage there was a mouse in it. From then on, when we could, we hung anything edible. I was afraid to touch the rug in the dressing room. This made changing a challenge. The vacuum cleaner didn’t work, and I was sure the rug was full of ancestral mouse poop. I quarantined any clothing I wore to the theater when I got home.

The dressing room had large windows with deep concrete sills outside. The owner of the theater had placed a large plastic bin full of water and an algae (more vermin) covered rock on the sill. This was for the pigeons. The Pigeon Spa. And mounds of birdseed were supplied everyday, the excess that fell on the floor being eaten by the mice. The room was it’s own ecosystem.

The denouement occurred one night when I was in the wings sitting in a folding chair waiting for my final entrance. It was a dramatic scene. There were guns. There was death. And I felt something on my toes. Yes, a mouse on my toes. I let out a high pitched scream which sent the rest of the cast into the giggles so we did most of the final scene with our faces turned away from the audience to hide the hilarity. And yes, the audience wasn’t immune. A gigantic one was running around the bleachers under the audience’s feet one night. A friend in the audience insisted that it was a rat, but I won’t admit that.

Now this is the worst thing that has ever happened to me. In my life.   I had an audition at a place on Eighth Avenue. I used the ladies room, which looked pretty skuzzy. When I got home, I took my coat off and went into the bathroom and looked in the mirror and there was a HUGE WATERBUG ON MY SHOULDER. My husband said when I took my coat off he noticed something on my shoulder, but he thought it was an epaulet. An epaulet? Like it was so big he saw it across the room? And it had rode home on the train with me. Under my coat. No!!! This is the most horrifying thing ever.

My father was right.

The Zen of Auditioning

Got home and found out I got the part in the film with hat woman. I rose above the hat.

But I got the part I wasn’t that interested in really. I read for two parts. And I worked worked worked on the other role. I memorized it; I had like emotions, blah blah blah.

The part that I thought was less interesting, I didn’t really prepare much at all. This was my big strategy – I’ll do the less interesting part badly so they’ll give me the other part. Ah huh. But what happens is, when I read, the essence of nonchalance comes across totally natural, so I get the part I was less interested in. Weird right?

I can’t believe I did this to myself. I should have thrown off the part I really wanted and tried really really hard on the part I didn’t want. Then I would have gotten the part I wanted. Is this giving you a headache?

This is an example of the psychological fine line actors deal with all the time. You need to care about the work and kinda not care about whether you get the part or not.

 

You have to not care about what they think of you. Or what you think they think they are looking for.

Ever noticed how many actors do meditation, yoga, The Forum, flotation, breathing exercises, etc? How some of them are like crazy superstitious? This is why. The caring/non-caring fine line.

This is the main reason inexperienced actors totally suck when they first start auditioning. They build each audition up in their minds to be “the thing” that is going to make or break them. So when they get in the room they have an out of body experience and perform in a total panic. And when they go to walk out of the room, they go directly to the closet door. Then they leave their bag in the room and have to go back in. Then they trip on the way to the elevator.

You can be a total artist in a class and then totally tank in front of a table of auditionees.

I know an actor who says he auditions really well when he is sick as a dog. Wanna know why? He doesn’t have the energy to be nervous. Just does his work and gets the hell out of there.

It’s all about being in the right headspace.

I used to have to prepare a lot to get there before I went to an audition. It was ridiculous. I did a meditation tape, an hour-long yoga tape, and a half hour voice tape. I used to joke I had to do so many tapes I had no time for people.

If my husband heard AH HUM AH HUMA one more time he was gonna kill me.

Now I can roll out of bed and just go. I’m used to the drill. I know my work; I’m not looking for approval. I’m interested in what’s going to happen to me when I read.

But I’m like not impervious or anything. I am playing the role I tried NOT to get.

The Most Embarrassing Day Ever

I just had the most embarrassing day. You’re not gonna believe it. I submitted myself for a spot for Liberty Mutual – they asked for an authentically blind actor.

It said; “Any ethnicity. Male or female. Age 20 – 60. Must be authentically blind.”   It was for a commercial – it said, “National Network TV, Standard Usage.”

Well, I don’t get opportunities to go out for commercials everyday, so I submitted myself. I figured what difference does it make? How many real actors are going to be authentically blind? You’re going to get a bunch of people who are authentically blind but not real actors. So I figured if they could make believe they can act, I can make believe that I can’t see. I did a scene once from “A Patch of Blue”.

Anyway it went perfectly well. I got off the elevator – I had borrowed a cane from my 90-year old neighbor. He’s fabulous, you have to meet him, his whole house is antiques.

So, I’m tapping my stylish cane with the sterling silver handle, acting totally blind, and the monitor was like so nice to me. AND YOU KNOW THAT NEVER HAPPENS. They show me where the bench is and all, and I’m the only one who can see that I’m the best looking blind person there, I swear.

I’m already thinking residuals, and they hand me the script and it’s in FUCKING BRAILLE. Oh my god! Why didn’t I think of that? Shit.   So I ask the air if someone can “show me where the ladies room is?” And thank god it is out near the elevator. So I stayed in there until the coast was clear and I got on the elevator and got out of there. I was nervous that someone was going to come out looking for me so I kept up the act. I figured I could act mixed up or something if they saw me getting on the elevator. Then this guy who got on the elevator with me walked in the same direction as me, and asked if I needed help, so I had to keep the whole thing going all the way to Sixth Avenue. Hell.

Ok. Ok. I didn’t actually do this. But I saw the ad and I THOUGHT ABOUT IT.

Callback Disrupted By Hat

Had a callback yesterday for a film. The director was having me read with an actress who is already cast. You could tell she was already cast, as she felt no need to impress anyone and was 20 minutes late.

We go into the room where we’re going to film the audition and she sits down and she is wearing a kinda huge, loud plaid hat pulled down over her eyebrows. I’m going to be reading an emotional scene where my son is in a coma and I’m not feeling the hat.   Who wears a hat at an audition? The hat had nothing to do with her character or the scene. THE HAT WAS TAKING OVER. I ask; “Ah, um, would you possibly, ah, would it be ok if you took off the hat?” “NO”, she says and looks uncomfortable. Ok, so I’ll do the scene with the hat. “I’d just like to see your face.” I say. “Oh” she says and pushes it up above her eyebrows. Then she says; “I’m not emotionally prepared or anything. I mean I’m not ready to really do the scene. I don’t think I’m going to be able to give you anything.”

Did she just fall in here unsuspecting off the sidewalk? Did she not know she was coming? I tell her, “Just relax and be natural and don’t push, it’s OK.” Even when people are obnoxious you have to help them because otherwise it will screw you up.

After we read, we are and walking out together I ask her if she is having a bad hair day.   For the first time she becomes animated and says; “YES! I got up today and just decided fuck it, and I didn’t wash my hair. THAT’S WHY I’M WEARING THE HAT!” I tell her I did the same thing because it’s raining. Washing your hair on a rainy day and going to a film audition is artistic suicide. Guaranteed big frizzy hair – bad on camera. “I flat ironed dirty hair before I came here” I say. “YOU DID?” She says with an amazed AH-HAH look on her face like that is the most ingenious thing she’s ever heard. I think I just saved the next person she will audition with from THE HAT.

Church Tortures Actors

Had a call back for “The Man Who Came To Dinner”. An old chestnut. Does anyone want to see an old chestnut like this on anymore? Doubt it. But I guess since a church was producing it, they are limited by content to anything written before1959.
I was given an audition time of 6:30 p.m. Entered the room and there were 25 actors who also had the time of 6:30 p.m. Usually I would leave, but there was someone there I knew, so I stayed. We chatted, but by the time I got in the audition room I had been there way too long and was thoroughly pissed off. The monitor used the wrong name when she introduced me. I actually gave a good audition and got a lot of laughs from them. Seemed like they loved me. But by this time, I HATED THEM.
I was so mad at myself for waiting that long, the first thing the next morning I sent an email to them. Luckily, the email they had sent me with the info had the emails of the entire staff of the church. Here is a copy of the email I sent to everyone involved in the audition, and some individuals who weren’t (including the pastor):

Dear Fifth Avenue Church,

I have to tell you I am appalled at your treatment of actors at last night’s call back. Why is it OK to waste actor’s time and make them wait up to 2 hours because you can’t be bothered to assign appointment times? I’ve produced theater myself and it really isn’t that hard to give each actor a time slot.
As you are a Christian organization, I am quite surprised that you would treat people this way. In the future, I suggest that you ask yourself how the golden rule would apply in this situation.
Sincerely,
Cranky
Felt a little Norma Raeish, Maybe next time they will treat my fellow actors better.


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